Support Your Local Jazz Station — Give to WUSF, 89.7 FM

Is jazz radio suffering the same fate as jazz recordings — i.e., a gradual drop-off of interest, a future that’s so dark you don’t need shades?

Hard to say, as I haven’t closely followed the jazz radio industry. Lots of jazz radio stations continue to report their playlists to the trade mag JazzWeek, though. And I’m thankful for that level of jazz-radio activity.

Bob SeymourLocally, though, the Tampa Bay area audience for jazz radio seems to be holding steady, and maybe expanding: In recent years, WUSF, 89.7 FM has increased its jazz programming to 60 hours a week, starting at 9 p.m. Monday through Friday nights, and 8 p.m. on Saturday and Sunday nights.

My old friend Bob Seymour and his team of knowledgeable DJs — including several who are also well-known jazz musicians — do a great job presented a diverse mix of jazz in the evenings and all night long. Terrestrial radio in Tampa would be a dead zone without WUSF jazz. (And, yes, during the day I often tune in to the Real Jazz channel on Sirius/XM).

Guess I’m a little biased in my strong support of WUSF, as I’m friendly with several of the DJs, and because I was a DJ there for several years, starting in about 1997. That was during the period when I was working as a full-time freelance writer (following my ’88 to ’96 stint as the Tampa Tribune’s pop music critic). That was when all the DJs were doing their thing live — I frequently was on the air from 1 a.m. to 5 a.m., and sometimes I filled in for Bob’s regular shift, from 11 p.m. to 1 a.m.

But, speaking of WUSF jazz, how else are we going to hear the new jazz releases, introduced by folks who know and love the music, and how would we hear such nationally broadcast shows as bassist Christian McBride’s new “Jazz Night in America”? How would we hear about all the upcoming jazz concerts and club gigs?

All of this is leading up to … my request that you help keep great jazz radio alive in Tampa. The official spring pledge drive just finished up. But you can donate anytime by going here

Do it now, and tell ’em that I sent ‘ya!

(And let’s give props to the jazz DJs at WUSF — in addition to Bob, you’ll hear Mike Cornette, Whitney James, Mark Feinman, and Richard Jimenez)

Just Around the Corner: The Montreal International Jazz Fest

It’s that time of year again: I get to take in the announcements of world-class artists playing amazing summer jazz festivals, some in the United States but mostly in Canada, Europe, and elsewhere around the world.

So many festivals, so little time. But mainly, so little $$ to get there. Still, we can all revel in the fact that jazz is alive and well, at least on the fest circuit, and that so many first-rate players are keeping busy playing these events.

I’ve had the opportunity to attend The Montreal International Jazz Festival three times over the last 14 years, and it’s one of my favorites — loads of high-caliber jazz, world music, blues, pop/rock, and “other” acts, all playing gorgeous indoor theaters, intimate nightclubs, and sprawling outdoor stages. Did I mention that everything is extremely well organized?

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Montreal is an unusually clean and attractive city, and easy to get around via walking and public transportation. In addition to checking out all the amazing music, it was great wandering around the Old Town area, observing Canada Day festivities, savoring the Euro-cosmopolitanism of Montreal and having several outstanding meals, including one at the Stash Cafe, a superb Polish restaurant. Back when, I even had the chance to spend some time there hanging out with my old friend, WUSF’s Bob Seymour and his wife Marian. And it’s always nice running into jazz-journalist colleagues.

Most recently, in 2012, I covered the fest for Relix & Jambands.com — check out my fest overview, and my reviews of Esperanza Spalding (see my video clip, above); SMV (Stanley Clarke/Marcus Miller/Victor Wooten), the Stanley Clarke Band, and Victor Wooten’s group; and Bill Frisell. I also interviewed Stanley for a preview of his multiple Montreal appearances, for a story that ran in Bass Player mag.

Back in 2002, I reviewed the fest for the Sarasota Herald-Tribune, and in 2001, my coverage appeared at jazzhouse.org (and elsewhere).

This year’s fest, its 35th, takes place June 26 to July 5, and two acts on the bill are really whetting my appetite: The Bad Plus with Joshua Redman, and Snarky Puppy. I’ve seen both bands — The Bad Plus at Jazz Fest in New Orleans and the Clearwater, Fla venue now called the Capitol Theatre; Snarky Puppy just recently at the State Theatre in St. Petersburg — although I’ve never seen Redman with The Bad Plus. Both groups play jazz-oriented music that is deeply creative and often falls on the side of edgy/innovative. These guys are players, and both bands up up to a kind of music that travels beyond typical jazz confines while still honoring the tradition(s).

Also appealing to me: Bebel Gilberto, Al Di Meola, Stanley Clarke, Richard Galliano, Abdullah Ibrahim (solo and with various ensembles), Madeleine Peyroux, Dee Dee Bridgewater with Irvin Mayfield and the NOJO, and Eliane Elias,

So … maybe I’ll get back this year, maybe I won’t. If you get the chance, go. For all the details, click here