All Hail the Jazz DJs, and Saluting WUSF and WMNF

It’s National Disc Jockey Day

So let’s give props to all the great, hard-working, well-informed radio DJs out there, and the significant role they play in getting good music to the public.

In particular, I want to say thanks to Bob Seymour, longtime jazz guru at WUSF, 89.7 FM in Tampa.

Bob Seymour

I remember first listening to Bob during my high-school days in nearby Lakeland. Bob and Vic Hall and the others provided a great on-air jazz education. Then, and now, Bob and Co. served as a sort of jazz clearinghouse of the airwaves, alerting everyone in the Tampa Bay area to all of the local worthwhile concerts.

Bob, too, always has made a point of supporting the scene with his presence at concerts by national artists as well as gigs featuring local musicians (including my own bands).

I felt privileged to take a turn at the WUSF mic in the late ’90s, when I did some jazz announcing for a few years. And I’ve had the chance to get to know Bob and his wife Marian via hanging out together at local jazz shows, festivals at home (Clearwater Jazz Holiday) and abroad (Montreal Jazz Fest), and at jazz conferences (the old IAJE gatherings).

So …

KUDOS to Bob and all the other current WUSF jazz DJs, including Mike Cornette, Whitney James, Mark Feinman, and Richard Jimenez.

KUDOS to Randy Wind and all the great on-air talent at WMNF, 88.5 FM, in Tampa, including Scott Hopkins, Thomas Dickens, Ray Villadonga, Cheryl Mogul, Cameron Dilley, Ronny Elliott, Rev Billy C. Wirtz, Jeff Stewart, Speedy Gonzalez, Lee Courtney, Cricket Larson, Ed Greene, and Peter Tush.

Greatly appreciate all the support the folks at WMNF and WUSF give to local music, too, as they’ve played recordings I’ve done with Acme Jazz Garage, Trio Vibe, Ghetto Love Sugar, The Irritable Tribe of Poets, Greenwich Blue, the “Monk in the Sun” CD, and other projects.

(And extra thanks to WMNF for asking my bands, including Acme Jazz Garage, Ghetto Love Sugar, and Trio Vibe, to perform at special station-sponsored events, including the Tropical Heatwave and concerts at Skipper’s Smokehouse and the New World Brewery).

I’ll also give a shout-out to some of the nationally syndicated shows that provide hours of listening pleasure, including Christian McBride‘s new “Jazz Night in America” on NPR and the shows hosted by Mark Ruffin, Eulis Cathey, Dermot Hussey, and Les Davis on Sirius XM’s “Real Jazz” channel.

As the National Day Calendar explains, “National Disc Jockey Day is celebrated in remembrance of the death of Albert James Freed.  Freed, also known as Moondog, was an influential disc jockey in the 1950s.  He is credited with introducing the term ‘ rock ‘n’ roll’ to the world. Within our research we were unable to find the creator of National Disc Jockey Day.” More information

Stay tuned … to your local jazz DJ. Let them know you care.

 

Support Your Local Jazz Station — Give to WUSF, 89.7 FM

Is jazz radio suffering the same fate as jazz recordings — i.e., a gradual drop-off of interest, a future that’s so dark you don’t need shades?

Hard to say, as I haven’t closely followed the jazz radio industry. Lots of jazz radio stations continue to report their playlists to the trade mag JazzWeek, though. And I’m thankful for that level of jazz-radio activity.

Bob SeymourLocally, though, the Tampa Bay area audience for jazz radio seems to be holding steady, and maybe expanding: In recent years, WUSF, 89.7 FM has increased its jazz programming to 60 hours a week, starting at 9 p.m. Monday through Friday nights, and 8 p.m. on Saturday and Sunday nights.

My old friend Bob Seymour and his team of knowledgeable DJs — including several who are also well-known jazz musicians — do a great job presented a diverse mix of jazz in the evenings and all night long. Terrestrial radio in Tampa would be a dead zone without WUSF jazz. (And, yes, during the day I often tune in to the Real Jazz channel on Sirius/XM).

Guess I’m a little biased in my strong support of WUSF, as I’m friendly with several of the DJs, and because I was a DJ there for several years, starting in about 1997. That was during the period when I was working as a full-time freelance writer (following my ’88 to ’96 stint as the Tampa Tribune’s pop music critic). That was when all the DJs were doing their thing live — I frequently was on the air from 1 a.m. to 5 a.m., and sometimes I filled in for Bob’s regular shift, from 11 p.m. to 1 a.m.

But, speaking of WUSF jazz, how else are we going to hear the new jazz releases, introduced by folks who know and love the music, and how would we hear such nationally broadcast shows as bassist Christian McBride’s new “Jazz Night in America”? How would we hear about all the upcoming jazz concerts and club gigs?

All of this is leading up to … my request that you help keep great jazz radio alive in Tampa. The official spring pledge drive just finished up. But you can donate anytime by going here

Do it now, and tell ’em that I sent ‘ya!

(And let’s give props to the jazz DJs at WUSF — in addition to Bob, you’ll hear Mike Cornette, Whitney James, Mark Feinman, and Richard Jimenez)