Wayne Shorter Rides Again, Via His Sprawling “Emanon”

Few veteran (read: older) jazzers find their way into the pop culture conversation as effortlessly and effectively as Wayne Shorter, the saxophonist/composer probably best known for his work with Miles’ Second Great Quintet and electric-jazz giants Weather Report.

The former group, with the two joined by the rhythm section of Herbie Hancock, Ron Carter, and the late Tony Williams, remains a standard bearer, in terms of what jazz is about, and what jazz can do. And the latter, with Shorter, Joe Zawinul, Jaco Pastorius and others, still stands as one of my two favorite fusion bands.

And so it goes with “Emanon” (Blue Note), Shorter’s just-released sprawling set featuring three discs of music and a related graphic novel. Call it Shorter as superhero, as his brilliant quartet, with pianist Danilo Perez, bassist John Patitucci and drummer Brian Blade, alone on some tracks and elsewhere joined by the 34-piece Orpheus Chamber Orchestra.

It’s an ambitious collection of music, drawn in part from Shorter compositions that first appeared on the group’s “Without a Net” album, released in 2013. Bottom line: Inspired compositions and arrangements, high-level group interplay, surprising improvisations. Jazz for now, jazz for the future.

In the music’s sweep and grandeur, there’s something cinematic about these pieces. Perhaps it shouldn’t be surprising — Shorter is a major film buff, as I learned during a wide-ranging interview with him long ago for the Tampa Tribune, advancing his quartet’s appearance at Tampa Theatre. Our talk constituted one of my most memorable interviews with a musician, during my days on staff with daily newspapers.

“Emanon” (read as “no name” backwards) has all the right publications paying attention — even Rolling Stone, which seldom pays attention to jazz these days, and the New York Times, which notably has cut way back on its jazz coverage. My full review of the CD will appear in a forthcoming issue of Relix magazine.

Some “Emanon” reviews and features:

With ‘Emanon,’ Jazz Elder Wayne Shorter Grandly Sweeps the Stars — NPR.org (Nate Chinen)

Wayne Shorter Unveils a Sprawling Multimedia Opus on ‘Emanon’Rolling Stone (Hank Shteamer)

Wayne Shorter, Jazz’s Abstruse Elder, Isn’t Done Innovating Yet New York Times (Giovanni Russonnello)

With ‘Emanon,’ Legendary Saxophonist Wayne Shorter Finds a Way to Marry Comic Books and JazzLos Angeles Times (Sean J. O’Connell)

At 85, Wayne Shorter is Still Pursuing the UnknownBoston Globe

‘Emanon’ by Wayne Shorter: Grand Ambitions on Full DisplayWall Street Journal