Gasparilla Music Festival 2019: Gary Clark Jr., Infamous Stringdusters, Avett Brothers, Tribal Gold, the Pharcyde, Tank and the Bangas, more.

gasparilla 2019

Several impressive picks just announced for the eighth annual Gasparilla Music Festival in Tampa, including rising-star Austin blues man Gary Clark Jr., Americana exponents The Infamous Stringdusters and the Avett Brothers (love ’em but they seem to play our market every six months), country-rock act Lukas Nelson & Promise of the Real, New Orleans Suspects spinoff band Tribal Gold (the Suspects with Big Chief Juan Pardo & The Golden Comanches), the Pharcyde, and Tank and the Bangas.

Tampa’s long-running Grateful Dead tribute group Uncle John’s Band “will perform the Grateful Dead’s Dick’s Picks Vol. 1 live album, which was actually recorded at the since-demolished Curtis Hixon Hall way back in 1973,” Ray Roa writes in Creative Loafing/Tampa.

Also on the bill: Laurie Berkner, Jared & the Mill, Parrotfish, Sugar Rush, Mr. Tommy, and The Florida Gospel Music & Arts Fellowship Choir with Dr Kevin B. Parrott.

I’d love to see more jazz, blues, and jazz-funk artists — national and local — on the bill. Maybe those types of acts will be added later.

How about some of the following, all of whom know how to connect with younger audiences? Snarky Puppy, Vulfpeck, MMW, John Scofield, Terence Blanchard, Robert Glasper, Dirty Loops, Jacob Collier, Christian Scott, Marquis Hill, Kamasi Washington, Ambrose Akinmusire, Soulive, Dr. Lonnie Smith.

GMF takes place March 9-10 at Curtis Hixon Waterfront Park in downtown Tampa.

Medeski, Scofield, Martin & Wood, MSMW Live: In Case the World Changes Its Mind (CD review)

(recently reviewed for JazzTimes; direct link)

Medeski, Scofield, Martin & Wood, MSMW Live: In Case the World Changes Its Mind (Indirecto)

MSMW, in the studio and onstage, everywhere from Bear Creek Music Festival in the north Florida woods to the Montreal Jazz Festival, always sounds like a natural-born partnership—the deep jazz-funk and experimental genius of Medeski, Martin and Wood running smack into the similarly tinted explorations of guitar master John Scofield. The particular pleasures of the quartet’s live work have finally been captured on an official release, with the two-disc In Case the World Changes Its Mind, a dozen tracks recorded during the tour supporting the group’s 2006 CD Out Louder.

The set begins, logically enough, with “A Go Go,” the title tune from the 1997 John Scofield album on which he was joined by MMW—the quartet’s initial collaboration. Billy Martin sets up the piece’s low-slung, laidback pocket groove, John Medeski flashes candy-colored keys, Chris Wood slides in on woolly upright and Scofield, his slightly overdriven, burred-edge tone intact, finally brings in the lean, catchy melody, which Medeski doubles before the solos arrive. Sco slithers and snakes through the heavily percolating rhythms while Medeski turns in a similarly zig-zagging improvisation. The traditional “Tootie Ma Is a Big Fine Thing” opens with a long intro full of percussion sounds and scrapes before Wood plays the bluesy melody, Martin kicks in with a beat straight outta New Orleans and the band sets sail. The title track, credited to all four musicians, thrives on a simple but effective melody, repeated multiple times before the group heads out to space.

The second disc offers its share of gems, too, starting with Sco’s “Little Walter Rides Again,” with the guitarist and organist engaging in a bit of call-and-response on the hooky theme and Wood turning in a particularly inspired bass guitar solo. “Amazing Grace” thrives on a loosey-goosey guitar lead and soulful B3 declarations, and the disc closes out with the chunky-to-soaring “Hottentot,” powered by wah-wah and some of the set’s most impressive soloing. All-star bands seldom sound so organic, or play as well together, as this one. Letdowns? Only that “Chicken Dog,” “Chank” and MSMW’s gorgeous version of Lennon’s “Julia” weren’t included. Maybe next time.

Langerado: Hmmmm

I wrote this in response to a comment on my below post, and I thought I might as well give it its own post:

“It’s not nearly impressive as it could have been, and should have been.

As it stands now, I’m no longer sure that this will be a “must” on my 09 concert calendar.

For those (like me) interested in seeing great jam bands on the bill, the lineup at Bear Creek was far, far more impressive.

If I were running the fest, I would have included far more jam bands — MMW? Karl Denson? Robert Walter? Charlie Hunter? Galactic? The Motet? Lettuce? — plus at least one of the Dead-related bands, one of the Allmans-related bands, more altcountry, New Orleans acts, blues acts, and a jazz act or two.

And for the love of God, it’s in Miami: Why not more reggae and/or African acts? One or more of the Marleys? Femi Kuti? Thomas Mapfumo? Boukman Eksperyans? Antibalas Afrobeat Orchestra? Chicago Afrobeat Project?

How about Latin jazz and Brazilian? Arturo Sandoval? Omar Sosa? Eliane Elias?

I could go on, but, in short … color me disappointed.