Tampa Jazz Calendar: Dave Stryker, Peter Bernstein, Diana Krall, more

Celebrated singer-pianist Diana Krall, who probably qualifies as a jazz superstar, makes her fourth appearance at Ruth Eckerd Hall with a Jan. 30 performance supporting her recent Turn Up the Quiet album. And, yeah, file premium-seat tickets under “crazy prices” ($175 & $138.75). On the other hand, nice to see a jazz musician get pop-star pay.

No definitive word on which musicians are joining Krall for the Clearwater date, but for a December show in Ottawa, she was joined by guitarist Anthony Wilson, bassist Robert Hurst, violinist Stuart Duncan, and drummer Karriem Riggins. Check out Peter Hum’s review.

And here’s a video of her appearance on “Jimmy Kimmel Live!” in August.

Dave-Stryker-740x493

Two superb, nationally known guitarists, Dave Stryker (pictured, above) and Peter Bernstein, are headed our way, too, for shows sponsored or co-sponsored by the Tampa Jazz Club. Stryker and Bernstein frequently play all the major NYC jazz clubs and big jazz festivals you can name.

Ahead:

  • Sunday, Jan. 28 — Tampa Jazz Guitar Summit/Tampa Jazz Club: Dave Stryker Quintet (w saxophonist Jack Wilkins, pianist Chris Rottmayer, bassist Charlie Silva, and drummer Walt Hubbard). HCC Ybor Mainstage Theatre, Ybor City, 3 pm. Link
  • Monday, Jan. 29 — Tampa Jazz Guitar Summit/Monday Night Jazz: Peter Bernstein, with the USF Faculty Jazz Ensemble (guitarist LaRue Nickelson, pianist/keyboardist Chris Rottmayer, bassist Mark Neuenschwander, and drummer Ric Craig)USF Concert Hall, Tampa, 7:30 pm. Link 
  • Tuesday, Jan. 30 — Diana Krall, Ruth Eckerd Hall, Clearwater, 7:30 pm. Link
  • Wednesday, Feb. 14 — Whitney James‘ Jazz Valentine. Side Door at the Palladium, St. Petersburg, 8 pm. Link
  • Wednesday, Feb. 21 — St. Petersburg Jazz Festival: Tal Cohen (piano) Trio, with bassist Dion Kerr and drummer David Chiverton. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Thursday, Feb. 22 — St. Petersburg Jazz Festival: (Saxophonist) Jeff Rupert Quintet with Veronica Swift (vocals), pianist Richard Drexler, bassist Ben Kramer, and drummer Marty Morell. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Friday, Feb. 23 — St. Petersburg Jazz Festival: B3 Fury with the Shawn Brown Quintet, with guitarist Nate Najar, saxophonist Jeremy Carter, and drummer Anthony Breach. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Saturday, Feb. 24 — St. Petersburg Jazz Festival: Helios Jazz Orchestra with (vocalists) Whitney James & Chuck Wansley. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Sunday, Feb. 25 — St. Petersburg Jazz Festival: (Pianist) Gabriel Hernandez Trio, with bassist Mauricio Rodriguez and drummer Dimas Sanchez. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Monday, Feb. 26 — Monday Night Jazz: (Pianist/keyboardist) John Beasley. USF Concert Hall, Tampa, 7:30 pm. Link
  • Friday, March 2 — Tony Bennett. Mahaffey Theater, St. Petersburg, 7:30 pm. Link
  • Sunday, March 11 — Tampa Jazz Club: (Singer) Fred Johnson & (bassist) Michael Ross. HCC Ybor Mainstage Theatre, Ybor City, 3 pm. Link
  • Monday, March 26 — USF Monday Night Jazz: (Pianist) Steve Allee. USF Concert Hall, 7:30 pm. Link
  • Sunday, April 8 — Tampa Jazz Club: (Saxophonist) Harry Allen. HCC Ybor Mainstage Theatre, 3 pm. Link

Tampa Jazz Calendar: Branford Marsalis, Chick Corea and other heavy hitters ahead

Tampa Bay area performing arts centers and other venues are putting the spotlight on a surprisingly high volume of top-shelf jazz artists this month. When it rains, it pours. On the way:

Thursday, Jan. 11 — Branford Marsalis Quartet, with the acclaimed New Orleans-born saxophonist leading a group including pianist Joey Calderazzo, bassist Eric Revis and drummer Justin Faulkner (unless there are subs). Mahaffey Theater, St. Petersburg, 7:30. Link

Saturday, Jan. 13 — Chick Corea Akoustic Band, with the brilliant, versatile pianist, who makes his home in Pinellas County, joined by bass great John Patitucci on bass and monster drummer Dave Weckl. Two shows — doors at (approximately) 5 & 8:30 pm. Link 

Saturday, Jan. 13 — Sunshine Music Festival, with another great lineup of blues, rock, funk and more, again headlined by the superb Tedeschi Trucks Band, and including longrunning jazz-jam-avant trio Medeski Martin and Wood (MMW), Phish bassist Mike Gordon’s band, and NOLA funksters Galactic. Also: Hot Tuna, Foundations of Funk (with keyboardist/organist John Medeski from MMW, guitarist Eric Krasno from Soulive, and bassist George Porter, Jr. and drummer Zigaboo Modeliste from the Meters), and the Suffers. Vinoy Park, St. Petersburg, 1 pm. (Dang, WHY does this fest have to be the same day as Chick Corea?) Link 

Saturday, Jan. 13 (Do all of these shows HAVE to be on the same day?) — Fast-rising Canadian-born trumpeter Bria Skonberg. Central Park Performing Arts Center, Largo, 8 pm. Link

Also ahead in January and February:

  • Wednesday, Jan. 10 — The Ron Reinhardt Group with guitarist Adam Hawley and saxophonist Kyle Schroeder. Charlie’s Sushi & Japanese Restaurant, Clearwater, 8 pm. Info/Reservations: 727 515-4454.
  • Friday, Jan. 12 — Serotonic album release party, with (opener) Jon Ditty. Dunedin Brewery, 9 pm. Link
  • Friday, Jan. 19 — James Suggs Plays the Music of Lee Morgan, with the popular Tampa Bay area trumpeter joined by pianist Stretch Bruyn, bassist Brandon Robertson and drummer Paul Gavin for a program of soul jazz and more. Side Door at the Palladium, St. Petersburg, 8 pm. Link
  • Sunday, Jan. 21 — Arbor Records artists Nicki Parrott (bass/vocals), Rossano Sportiello (piano) and Ed Metz (drums). Side Door at the Palladium, St. Petersburg, 7 pm. Link
  • Sunday, Jan. 28 — Tampa Jazz Guitar Summit: Dave Stryker Quintet. HCC Ybor Mainstage Theatre, Ybor City, 3 pm. Link
  • Monday, Jan. 29 — Tampa Jazz Guitar Summit: Peter Bernstein, with the USF Faculty Jazz Ensemble. USF Concert Hall, Tampa, 7:30 pm. Link 
  • Wednesday, Feb. 14 — Whitney James‘ Jazz Valentine. Side Door at the Palladium, St. Petersburg, 8 pm. Link
  • Wednesday, Feb. 21 — St. Petersburg Jazz Festival: Tal Cohen (piano) Trio, with bassist Dion Kerr and drummer David Chiverton. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Thursday, Feb. 22 — St. Petersburg Jazz Festival: (Saxophonist) Jeff Rupert Quintet with Veronica Swift (vocals), pianist Richard Drexler, bassist Ben Kramer, and drummer Marty Morell. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Friday, Feb. 23 — St. Petersburg Jazz Festival: B3 Fury with the Shawn Brown Quintet, with guitarist Nate Najar, saxophonist Jeremy Carter, and drummer Anthony Breach. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Saturday, Feb. 24 — St. Petersburg Jazz Festival: Helios Jazz Orchestra with (vocalists) Whitney James & Chuck Wansley. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Sunday, Feb. 25 — St. Petersburg Jazz Festival: (Pianist) Gabriel Hernandez Trio, with bassist Mauricio Rodriguez and drummer Dimas Sanchez. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link

 

 

Ira Sullivan Headed to Ybor City

Ira Sullivan, the legendary jazzer who’s equally adept on trumpet and saxophone, comes to Ybor City on Sunday afternoon, for a show sponsored by the Tampa Jazz Club. I recently spoke with Sullivan, for the St. Petersburg Times. The feature will be in print tomorrow, but it’s already available online here.

Or read the full text of the piece, below:

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Ira Sullivan

Given the depth and breadth of Ira Sullivan’s work in jazz, and the sheer longevity of his career, the list of greats with whom the multi-instrumentalist has played could easily fill up a newspaper feature or two.

Suffice it to say that Sullivan, 78, was 12 when he led his first band, a trio with a drummer and an accordion player, and he’s worked with everyone from drummer Art Blakey’s Jazz Messengers to saxophonist and bebop forefather Charlie Parker to electric bass giant Jaco Pastorius.

Sullivan, a five-time Grammy nominee, has shared stages or recording studios with “every major jazz musician in the world,” he said recently from Miami, his home since the early ’60s.

The saxophonist and trumpeter, who comes to Ybor City this Sunday for his 14th or so concert in partnership with the Tampa Jazz Club, in recent years has played with celebrated young saxophonist Eric Alexander. And last year he was heard on pianist Bob Albanese’s “One Way/Detour,” a widely distributed CD on the Zoho label.

Sullivan appeared on several tracks, including the standard “Midnight Sun.” “All I did was play the melody, and that’s the one that disc jockeys freak out about. It proves that with all the convoluted solos you can come up with, there’s nothing like a simple melody.”

His melodies and solos — some straightforward, some marvellously complex — haven’t taken top billing on a recording since 2001. That’s when he last led a CD session, “After Hours,” a set of originals and standards on which he primarily played soprano sax.

So it’s been nearly a decade since Sullivan has released a CD under his own name.

Why the wait?

“I never was interested in recording,” he said. “I’m only interested in playing. The only time I record is when somebody nails me down. First off, I don’t like wear earphones — they take the feeling away from your palette and your jaw, the feeling of your instrument. To me the playing is where it’s at.”

Sullivan’s aptitude for playing in front of audiences practically came naturally. At age four, the Washington, D.C. native learned trumpet from his father, and as a teenager, growing up in Chicago, he took on tenor saxophone at the behest of his mother. And the budding musician could always count on receptive crowds for his early performances, including the families of his father’s 14 siblings.

While in his early ’20s in Chicago, Sullivan fronted a group backing the likes of saxophonists Stan Getz and Sonny Stitt, trumpeter Nat Adderley, and singer Johnny Hartman. And in 1955, he spent a week playing trumpet with Parker, a bebop idol to the younger man.

“He was drunk the first night and it took six of us to lift him into the cab,” Sullivan recounted. “After the second day, he said, ‘Ira, I can’t get drunk.’ That was because the doctors had shot him with B-12. I had a beautiful, alert wonderful Charlie Parker the rest of the week. He was healthy and bright eyed a d bushytailed. We had a wonderful week together. He treated me like the greatest trumpet player he had ever played with. A month later, he died.”

Sullivan regularly switches between tenor sax and trumpet on most gigs, and even did so during his celebrated ’80s touring and recording partnership with trumpeter Red Rodney. For this Sunday’s performance with pianist Michael Royal, bassist Richard Drexler and former Bill Evans Trio drummer Marty Morell, he’s likely to also pick up alto sax, soprano sax, flute, flugelhorn and various percussion instruments.

“I think differently for each one,” he says. “One has nothing to do with the other. I don’t approach any of them as if it were the same instrument. It’s like having five alter egos.”