Montreal Jazz Fest — Wishing I was there

I’ve had some incredible experiences hearing great performances and soaking up the other jazz happenings at the Montreal International Jazz Festival. Not to mention getting a chance to enjoy the cosmopolitan culture of one of North America’s most beautiful and most historic cities.

montreal

Last summer’s festival was again jam-packed with great music, some of which I wrote about for JazzTimes, and in several posts on this blog.

Sadly, I can’t make it for the 38th edition of the fest, which runs June 28-July 8.

But if I WERE headed to Montreal at the end of this month, I’d do my best to catch the following jazz, blues and pop/rock artists (some of whom are playing in bands with others on the list):

Ambrose Akinmusire, Arturo Sandoval, The Bad Plus, Ben Street, Bill Frisell, Brian Blade, Buddy Guy, Carla Bley, Charles Bradley, Charles Lloyd, Charlie Musselwhite, Curtis Lundy, Danilo Perez, Dave Douglas, Diana Krall, Donny McCaslin, E.J. Strickland, Eric Harland, Essiet Essiet, George Cables, Gerald Clayton, Ingrid Jensen, Jack DeJohnette, Jacob Collier, Jane Bunnett, Jeremy Pelt, Jesse Cook, John Hollenbeck, John Medeski, John Pizzarelli, John Scofield, Joshua Redman, Joss Stone, King Crimson, Kurt Rosenwinkel, Larry Grenadier, Michael Blake, Nicholas Payton, Reuben Rogers, Robert Glasper, Robin Eubanks, Scott Colley, Stanley Clarke, UZEB, and Wallace Roney.

Headed to Montreal? Let me know your thoughts on what you hear.

As for me — better luck next year.

 

 

Happy 80 Candles to the Village Vanguard!

village vanguard

Has it really been 30 years since I interviewed Max Gordon at the Village Vanguard for The Villager newspaper, for a story on the 50th anniversary celebration of the venerable Seventh Avenue South nightspot? Hard to believe. That summer, during my brief stint as a grad student in cinema studies at NYU’s Tisch School of the Arts, hardly seems so long ago. In addition to Gordon, I spoke with some of the many jazz greats who played the anniversary show, including trombonist Al Grey.

Gordon, the short, somewhat gruff, cigar-smoking, Lithuanian-born owner of the Vanguard, opened his place in 1935, and in its early years it became a home to poets, singing/acting revues, Caribbean artists (Harry Belafonte), folk and blues singers (Lead Belly, Woody Guthrie), and comedians (Lenny Bruce, Woody Allen).

Its most lasting legacy, though, is that rooted in its late-’50s rebirth as the city’s finest listening room for performances by great jazzers, of the bebop variety and beyond, many of whom are immortalized in the gorgeous photos still hanging in the basement club. John Coltrane and Miles Davis played there. So did Thelonious Monk, Charles Mingus, Sonny Rollins, Bill Evans, Charles Mingus, Gerry Mulligan, Carmen McRae, The Modern Jazz Quartet, and the Thad Jones-Mel Lewis Orchestra (which became the Vanguard Jazz Orchestra, which still plays there Monday nights).

Christian McBride quintet

The Vanguard is practically a temple to the high art of jazz, and I’m happy to have seen bassist Christian McBride’s Inside Straight quintet (above; see my review of his December show), guitarist Kurt Rosenwinkel, trumpeter Nicholas Payton, and the late guitarist Tal Farlow at the Vanguard over the years.

Sunday, the Vanguard turned 80. Tuesday, it kicks off a week of concerts presented by pianist Jason Moran. Pianists Moran, Fred Hersch, and Kenny Barron, and saxophonist Charles Lloyd‘s quartet (with Moran, bassist Reuben Rogers and drummer Eric Harland) are among the artists slated to play March 10-15.

While other NYC jazz institutions have come (Dizzy’s Club Coca-Cola, Smoke) and gone (Bradley’s, the Village Gate), and others have routinely upgraded and renovated and even changed music policies, the Vanguard has kept folks coming in part because it has stayed the same — a generally low-dough admission charge, a focus on music listening (loud talkers get shushed), and a decision to not introduce food to the mix.

“One thing that’s great is that, through all the years, they’ve had the wisdom not to mess with it,” as Hersch told The New York Observer. “I like the Vanguard for its purity.”

Lorraine Gordon, Gordon’s wife, took over the club in 1989, when he died; at 92, she and her daughter, Deborah, run the place, with the Vanguard’s longtime manager, Jed Eisenman.

For more information on the Vanguard’s 80th anniversary celebration, click here.

The Village Vanguard at 75

Belated happy 75th birthday wishes to the Village Vanguard, the basement jazz temple on Seventh Avenue South opened by Max Gordon, who launched the nightclub as a home for folk music, poetry, and comedy.

I’ve been privileged to visit the Vanguard — intimate, acoustically pristine, its staff eminently respectful of the music and devoted to the arts of jazz playing and listening — quite a few times over the years, for shows by the likes of guitarist Kurt Rosenwinkel, trumpeter Nicholas Payton, and an all-star group gathered to celebrate the club’s 50th anniversary.

For that 1985 occasion, I met and interviewed Gordon, who passed away in 1991; his widow, Lorraine, subsequently operated the club. If/when I track down the piece I wrote for The Villager, during my brief stint as a grad student at NYU, I’ll pull some quotes/observations and include them here.

How and why has the 123-seat Vanguard survived, while other famed Greenwich Village jazz clubs, including Seventh Avenue South, Sweet Basil, and Bradley’s, have not?

“It’s not fancy,” as Lorraine Gordon told Lara Pellegrinelli for a story published at NPR.org. “It’s not pretentious. It doesn’t serve food. It doesn’t take credit cards. It doesn’t allow cell phones or cameras. It doesn’t do a lot of things, but it does give good music.”

The Vanguard celebrated its 75th last week with a residency by saxophonist Joe Lovano’s Us Five, with pianist James Weidman, bassist Esperanza Spalding, and drummer Otis Brown and Francisco Mela. Sad to say that I couldn’t be on hand for any of those performances, but happy to report that I’ll get the chance to see the group in late April at Jazz Fest in New Orleans.

More than 100 jazz albums have been recorded at the club, starting with a 1957 classic capturing performances by saxophonist Sonny Rollins‘ pianoless trios.

Gordon’s “Live at the Village Vanguard,” published in 1982, remains the essential biography of the Vanguard’s first half-century. Lorraine Gordon’s bio, which I’ve yet to read, “Alive at the Village Vanguard: My Life In and Out of Jazz Time,” co-written by Barry Singer, was published in 2006 to great acclaim.

And the music isn’t slowing down: The Vanguard’s schedule includes upcoming performances by drummer Al Foster‘s quartet (March 2-7), and trumpeter Payton’s quintet (March 9-14).

And a March 16-21 appearance by drummer Paul Motian‘s trio with pianist Jason Moran and saxophonist Greg Osby looks to be one of the highlights of New York’s spring jazz season. Motian doesn’t tour, but he’s playing the Vanguard show to support a new CD with Moran and saxophonist Chris Potter, Lost in a Dream (ECM), due for release March 9.

Best Jazz CDs of 2008? Down Beat Looks Back

Down Beat’s official critics poll, which isn’t hinged to the calendar year, won’t arrive until August.

But the January issue of the magazine (to which I’m a longtime contributor) offers a list of the jazz CDs that notched the best reviews – highest star ratings – in 2008.

The five-star releases, although all deserving of high praise, may or may not deserve to be called “New Masterpieces”; a decade from now, will these recordings still resonate? Still, I was particularly impressed by the Caine, Haden, and McLaughlin discs. Here’s the list:

  • Gunther Schuller, Journey Into Jazz (BMOP Sound)
  • Uri Caine Ensemble, The Othello Syndrome (Winter & Winter)Uri Caine - The Othello Syndrome
  • Otis Taylor, Recapturing the Banjo (Telarc)
  • John McLaughlin, Floating Point (Abstract Logix)
  • Charlie Haden Family and Friends, Rambling Boy (Decca)

A step down are the 4.5-star releases, including several of my ’08 favorites – Clark, Corea/Burton, Herwig, and Frisell.

Here’s that list:

  • Anthony Braxton, Trio (Victoriaville)
  • Mike Clark, Blueprints of Jazz Volume 1 (Talking House)
  • Chick Corea and Gary Burton, The New Crystal Silence (Concord)
  • Marilyn Crispell, Vignettes (ECM)
  • Prieto Dafnis Sextet, Taking the Soul for a Walk (Dafnison Music)
  • Die Enttauschung, Die Enttauschung (Intakt)
  • Bill Frisell, History, Mystery (Nonesuch)
  • Mike Garson, Conversations With My Family (Resonance)
  • Jon Gordon, Within Words (ArtistShare)
  • Conrad Herwig, The Latin Side of Wayne Shorter (Half Note)Chick Corea & Gary Burton, The New Crystal Silence
  • Grace Kelly and Lee Konitz, GRACEfulLee (Pazz)
  • Moss, Moss (Sunnyside)
  • Rosa Passos, Romance (Telarc)
  • Mario Pavone, Trio Arc (Playscape)
  • Herb Robertson and the NY Downtown Allstars, Real Aberration (Clean Feed)
  • Wadada Leo Smith and the Golden Quartet, Tabligh (Cueniform)
  • Gebhard Ullmann, New Basement Research (Soul Note)
  • Norma Winstone, Distances (ECM)

It’s interesting to note that the music deemed among the best jazz of the year is spread out on nearly as many labels as there are releases. The exceptions – two are on ECM, and two are on Telarc.

The next level down, the four-star CDs, features 124 releases, including several, below, that struck me as particularly outstanding (and in some cases, deserving of higher star ratings):

  • Brian Blade, Season of Changes (Verve)
  • The Blind Boys of Alabama, Down in New Orleans (TimeLife)
  • Anat Cohen, Notes From the Village (Anzic)
  • John Ellis and Double-Wide, Dance Like There’s No Tomorrow (Hyena)
  • Drew Gress, The Irrational Numbers (Premonition)
  • Lionel Loueke, Karibu (Blue Note)
  • Pat Metheny, Day Trip (Nonesuch)Pat Metheny, Day Trip
  • Radiohead, In Rainbows (ATO) – not jazz, I know, but how could this CD NOT be on anyone’s best-of list?
  • Josh Roseman, New Constellations (Accurate)
  • Kurt Rosenwinkel Group, The Remedy: Live at the Village Vanguard (ArtistShare)
  • Esperanza Spalding, Esperanza (Heads Up)
  • Susan Tedeschi, Back to the River (Verve Forecast)

Yes, I’ll be getting around to submitting my Top 10 CD list(s) to one or more publications. But not quite yet.