PLANET JAZZ: Irvin Mayfield, Last Night on “Treme”; Inside-Jazz Story to Read Before You Die; JJA’s Jazz Blogging Webinars

Planet Jazz: Notes From All Over

Nice seeing New Orleans trumpeter Irvin Mayfield get some speaking lines on last night’s “Treme.” Great, too, seeing some Mayfield performance footage shot at his Jazz Playhouse club inside the Royal Sonesta Hotel on Bourbon Street.

Lionel Ferbos, the century-old trad jazz trumpeter, was also seen and heard playing and talking, at the long-running Palm Court Jazz Cafe, in the episode. Ferbos, one of the oldest living links to early jazz, started playing at age 15, in 1926.

“Lionel Ferbos is 101 and he’s playing gigs. He’s walking up on stage, getting his trumpet out and playing,” Mayfield told the Times-Picayune. “He comes out of the water of Jelly Roll Morton, who he heard himself, Louis Armstrong, who he heard himself, Freddie Keppard, who he heard himself. Paul Barbarin, Danny Barker – these are people he heard. In his trumpet sound, you hear all that.”

The episode touches on the much-publicized drive to create a National Jazz Center in New Orleans. The developers of the $716 million project, announced in May 2006, enlisted Mayfield’s support. The project subsequently collapsed.

“Though the National Jazz Center and other subsequent efforts to establish some kind of civic institution to recognize New Orleans’ greatest export have fallen short, Mayfield is confident that such a project will some day get done,” Dave Walker wrote in the Times-Picayune.

” ‘It is just crazy that we have so much history but we don’t have symbols recognizing all that creative achievement,’ he said. ‘We’ve created this music that everybody else around the world is in awe of.’

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Remember “Ten Jazz Albums to Hear Before You Die,” a feature (initially published sans byline) published last week in the Village Voice?

Several jazz writers justifiably complained about the piece’s incompleteness, as it covered just 17 years of jazz history (1956-73) and its, uh, obviousness; we really needed another litany of the jazz canon? It didn’t seem to meet the usual, or, at least, former, high standards for a publication that once set a high standard for jazz coverage.

As a sort of (unstated) concession to the criticism, the next day the Voice published another piece, “Ten (More) Jazz Albums to Hear Before You Die,” by Matthew Kassel and Alex W. Rodriguez. This time, the (different) writers offered recommendations culled from about a century of jazz history.

Writing for NPR’s “A Jazz Supreme” blog, Patrick Jarenwattanon filled in some background on how the original ill–fated story came to be:

“The piece itself was simply repurposed from another publication owned by the same media company, and its author wasn’t even credited (it’s a fellow named Joseph Lapin, by the way). It was published by a media entity that used to run Gary Giddins’ column, and Francis Davis essays, and the Jazz Consumers Guide, and the year-end critics poll, and much other current jazz coverage. Underlying all this is the fact that two well-respected music editors, Rob Harvilla and Maura Johnston, have left the Voice in recent years.”

For those outside the jazzosphere, maybe this is all too meta?

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The Jazz Journalists Association continued its webinar series on the art of jazz blogging with a Nov. 13 program featuring Angelika Beener, Veronica Grandison, Alex Rodriguez, and Jonathan Wertheim.

The latest installment, focused on “up-and-coming” jazz bloggers, is archived on YouTube, here.  On the way are two more blogging webinars, slated for Nov. 20 and Dec. 4. Register

JJA members soon will unveil their Top 10 picks for 2012, surveying the year’s best jazz — look for the lists at the organization’s site.

Jazz Fest Diary: Irvin Mayfield’s Jazz Playhouse & More

Whether it’s pre-Jazz Fest anticipation or something else, New Orleans feels like it’s on an emotional upswing.

Mitch Landrieu, stepping down as Lt Governor and being sworn in as the city’s new mayor in less than two weeks, is listening to citizens and putting together his staff; Landrieu, voted in with strong support from blacks and whites alike, is one of the good guys, a vocal proponent of the arts economy.

Saints pride is still in full springtime bloom, with residents and visitors alike contiuing to revel over the end of the “Ain’ts” era, as a billboard near the SuperDome points out.

“Treme,” David Simon‘s superb new HBO series, focused on the lives of musicians and others in New Orleans, just after the storm, is the talk of the city, and the nation.

The 41st annual New Orleans Jazz and Heritage Festival kicks off tomorrow, following a successful French Quarter fest.

And then there’s this: Real jazz is back on Bourbon Street.

Wednesday night, trumpeter Irvin Mayfield celebrated the one-year anniversary of his Jazz Playhouse. It’s a plush nightclub inside the Royal Sonesta on Bourbon Street, a place, filled with the sounds of straight-ahead jazz (bebop, modern, post-bop, whatever you want to call it) and trad jazz.

Mayfield celebrated the occasion with a long evening’s worth of performances and jam sessions, in collaboration with the guys from his New Orleans Jazz Orchestra, and special guest trumpeter Kermit Ruffins (who plays himself on “Treme”).

The show was such a success that at one point potential patrons couldn’t get in.

Mayfield, who leads his own group in addition to fronting the NOJO and playing a major role as a musical ambassador for New Orleans, turned in a gorgeous version, muting his horn, of “My Funny Valentine.”

Shortly later, joined by a group including saxophonist Aaron Fletcher, he offered a long, rousing medley, with “This Little Light of Mine” segueing into “The Battle Hymn of the Republic,” “I’ll Fly Away,” “The Saints Go Marching In” and “We’re Gonna Second Line.” Along the way, he engaged the cheering, singing, fired-up crowd in the Saints’ “Who Dat?” chant.

Earlier in the evening, at a reception honoring the club’s anniversary, Mayfield and his partners in the club, as well as pianist David Torkanowsky, talked about the significance of the Jazz Playhouse.

Torkanowsky recalled the high-quality jazz — by Al Hirt, Louis Prima, Pete Fountain — that was heard when he first strated playing Bourbon Street several decades ago, before the French Quarter started  “slow and steady slide into ‘Girls Gone Wild’.”

Mayfield’s club, Torkanowsky said, is “a symbol of hope that this street will come back (for good jazz). You can make money monetizing a true representation of this city through its culture.”

Also on hand for the reception was Wendell Pierce, AKA trombone player Antoine Batiste on “HBO.” He helped cut the cake (see pic) and added a bit of celebrity to the proceedings.

In town for Jazz Fest? The Jazz Playhouse offers a long list of great shows over the next 10 days or so, including shows feturing Mayfield, Torkanowsky, pianist Ellis Marsalis, drummer Jason Marsalis, singer Johnaye Kendrick, fiddler Amanda Shaw, Bob French and the Original Tuxedo Jazz Band, and tributes to Danny Barker.

For more information go to Mayfield’s site or the Royal Sonesta site.