Jazz at the Grammys; and props to Lifetime Achievement winner Clark Terry

The Grammy Awards — particularly as demonstrated by its biggest categories — remains the music industry’s overblown high-school prom, a chance for the year’s most popular and/or most attractive rock, dance, hip-hop and country artists to toast each other’s success on the charts and in the media spotlight.

Last night’s ceremony, in that respect, was mostly the same: Does anyone believe that, 20 years from now, anyone will be singing the songs of, or caring much about the likes of Lady Gaga, who opened with a two-piano extravaganza with Sir Elton John (his earliest songs have become classics), or Pink, who did a skin-baring Cirque du Soleil-style act?

Jazz, as usual, got short shrift (yes, there was Herbie Hancock’s big win last year, but that was a fluke).

Lifetime achievement winner Clark Terry (right), the great and gracious trumpeter, and good-humored “mumble”/scat singer, got onstage recognition from director Quentin Tarantino (huh?) and the camera caught Terry, 89, in the audience. Then it was on to a really annoying, profanity-laced performance by Eminem, Lil’ Wayne, Drake and drummer Travis  Barker. No, thanks.

Best musical moment: Jeff Beck‘s performance of “How High the Moon,” with singer Imelda May, in a too-short salute to Les Paul, introduced by actor Jeff Bridges (huh?) Beck played a sunburst Les Paul guitar for the occasion.

This year’s jazz nominees, for the most part, were musically solid. Several of the recordings that appeared on my Top 10 list — discs by singer Roberta Gambarini, pianist Allen Toussaint, and bassist John Patitucci — grabbed nominations, but not wins.

Nice to see New Orleans artists take home trophies in two categories — trumpeter Terence Blanchard for best improvised jazz solo, and trumpeter Irvin Mayfield‘s New Orleans Jazz Orchestra for best large jazz ensemble album — although it’s a bit of a shock that the latter category didn’t include nominations for first-rate recordings by Chuck Owen & the Jazz Surge, and the Gerald Wilson Orchestra.

The Jazz Surge’s CD, The Comet’s Tail: Performing the Compositions of Michael Brecker, did get attention in the category of best instrumental arrangement. Talented veteran arranger Bill Cunliffe won, for “West Side Story Medley” from the Resonance Big Band’s tribute to Oscar Peterson. Note: Mendoza was nominated twice in this category, so that may have hurt his chances for a win.

And it ought to be noted that neither acclaimed pianist Vijay Iyer, nor his trio’s Historicity, which topped this year’s Village Voice Jazz Critic Poll (I voted), were to be found among the nominees. UPDATE: Vijay let me know that Historicity “was released two weeks too late to qualify for the awards.” Here’s hoping that NARAS will honor the CD next year.

Kurt Elling won in the jazz vocal category for another impressive recording, but I wonder if the superb discs by Robert Gambarini (my pick for ’09’s best jazz vocal CD) and Tierney Sutton resulted in a vote split leading to the Elling win.

It was satisfying to see several veterans pick up wins, including late Weather Report keyboardist Joe Zawinul, for the final CD from his Zawinul Syndicate band, and pianist Chick Corea and guitarist John McLaughlin, for a live recording from their Five Peace Band.

Dan Morgenstern, director of the Institute of Jazz Studies at Rutgers-Newark, picked up another Album Notes Grammy, his eighth, for his contributions to The Complete Louis Armstrong Decca Sessions (1935-1946).

Finally, how many father-and-son recordings have won Grammy awards? In the Latin jazz category, the great Cuban-born pianist Bebo Valdes and his son, pianist Chucho Valdes, won for Juntos Para Siempre.

The jazz winners and nominees….

Best Contemporary Jazz Album

*Winner: 75 Joe Zawinul & The Zawinul Syndicate

[Heads Up International]

Urbanus Stefon Harris & Blackout [Concord Jazz]

Sounding Point Julian Lage [Emarcy/Decca]

At World’s Edge Philippe Saisse [E1 Music]

Big Neighborhood Mike Stern [Heads Up International]

———-

Best Jazz Vocal Album

*Winner: Dedicated To You: Kurt Elling Sings The Music Of Coltrane And Hartman Kurt Elling [Concord Jazz]

No Regrets Randy Crawford (& Joe Sample) [PRA Records]

So In Love Roberta Gambarini [Groovin’ High/Emarcy]

Tide Luciana Souza [Verve]

Desire Tierney Sutton (Band) [Telarc Jazz]

———-

Best Improvised Jazz Solo

*Winner: Dancin’ 4 Chicken Terence Blanchard, soloist Track from: Watts (Jeff “Tain” Watts) [Dark Key Music]

All Of You Gerald Clayton, soloist Track from: Two-Shade [ArtistShare]

Ms. Garvey, Ms. Garvey Roy Hargrove, soloist Track from: Emergence [Groovin’ High/Emarcy]

On Green Dolphin Street Martial Solal, soloist Track from: Live At The Village Vanguard [CamJazz]

Villa Palmeras Miguel Zenón, soloist Track from: Esta Plena [Marsalis Music]

———-

Best Jazz Instrumental Album, Individual Or Group

*Winner: Five Peace Band – Live Chick Corea & John McLaughlin Five Peace Band [Concord Records]

Quartet Live Gary Burton, Pat Metheny, Steve Swallow & Antonio Sanchez [Concord Jazz]

Brother To Brother Clayton Brothers [ArtistShare]

Remembrance John Patitucci Trio [Concord Jazz]

The Bright Mississippi Allen Toussaint [Nonesuch]

———-

Best Large Jazz Ensemble Album

*Winner: Book One New Orleans Jazz Orchestra [World Village]

Legendary Bob Florence Limited Edition [MAMA Records]

Eternal Interlude John Hollenbeck Large Ensemble [Sunnyside]

Fun Time Sammy Nestico And The SWR Big Band [Hänssler Classic]

Lab 2009 University Of North Texas One O’Clock Lab Band [North Texas Jazz]

———-

Best Latin Jazz Album

*Winner: Juntos Para Siempre Bebo Valdés And Chucho Valdés [Sony Music/Calle 54]

Things I Wanted To Do Chembo Corniel [Chemboro Records]

Áurea Geoffrey Keezer [ArtistShare]

Brazilliance X 4 Claudio Roditi [Resonance Records]

Esta Plena Miguel Zenón [Marsalis Music]

Winter Concert Picks: David Byrne, Derek Trucks/Susan Tedeschi, Galactic

Some folks around the Tampa Bay area are practically swooning in anticipation over several just-announced early 2009 shows by big pop and big hat acts.

Who’s coming?

  • Britney Spears, still cute, still annoying, still irrelevant (3/8, St. Pete Times forum);
  • Jessica Simpson, same as Britney (Florida Strawberry Festival);
  • Elton John/Billy Joel, once formidable pop/rock artists long off to other interests but back on the cash-grab trail (3/5, SPT Forum);
  • Fast-rising teen country star Taylor Swift (also Strawberry Fest).

Yawn. It’s all enough to make me elated that I’m no longer forced to consume standard-issue pop and rock for a living.

It’s a good bet that musical intrigue and non-rote performances will be in much greater supply at three under-publicized shows this month and next.

David Byrne, the former Talking Heads head, brings his “Songs of David Byrne and Brian Eno” tour to Tampa Theatre on Dec. 12. He’s touring in support of Everything That Happens Will Happen Today, his first collaboration in nearly three decades with Brian Eno. Byrne’s work has remained vital and creative over the years, and his shows at Tampa Theatre have been among the area’s best concerts.

Reviews of the tour, which has Byrne and his four-piece band (keys, drums, bass, percussion) joined by three backup singers and three dancers, have been positive.

Jonathan Valaria, writing in the Philadelphia Inquirer, had this to say about a November show:

“David Byrne got his first of countless standing ovations Saturday night just five songs into his set at the Tower Theater, where he closed out the North American run of his ambitious tour in support of Everything That Happens Will Happen Today, his splendid second collaboration with Brian Eno.

Not surprisingly, the ovation was occasioned by the first Talking Heads song of the night – “Houses In Motion” from Remain in Light – but it was more than just a beloved old song that elicited such a response from the crowd, which, much like the 56-year-old Byrne, straddled the fulcrum of middle age.

No doubt drawing on lessons learned from his collaboration with choreographer extraordinaire Twyla Tharp, Byrne created a show that uses bodies in motion to advance the ambiguous narratives of his arty, multicultural rock music.

Byrne – looking fit, trim and sporting a magnificent shock of silver hair – sounded in fine voice and handled all guitar duties with surprising aplomb, expertly replicating the pneumatic wheeze of chords on “Home,” the angular funk-strum of “Crosseyed And Painless” and the molten leads of ‘I Feel My Stuff.’ ”

Also certain to be among the highlights of the winter concert season:

  • Derek Trucks and Susan Tedeschi’s Soul Stew Revival (Dec. 29, Tampa Theatre), a bluesy, jammy, funky collaboration between the Allman Brothers’ slide-guitar wizard and his wife, an impressive blues guitarist and singer-songwriter in her own right.
  • New Orleans funk/jam stars Galactic, with the Lee Boys (Jan. 2, Jannus Landing). Galactic’s grooves are deep and funky, and they often inject experimental sounds and hip-hop rhythms into the mix. I’ve seen the band upteen times, in the Tampa Bay area and in New Orleans, and I’ve only been disappointed when they’ve let guest rappers or singers hog the show. Not sure yet what’s up for this tour.