Tampa Jazz Calendar: Dave Stryker, Peter Bernstein, Diana Krall, more

Celebrated singer-pianist Diana Krall, who probably qualifies as a jazz superstar, makes her fourth appearance at Ruth Eckerd Hall with a Jan. 30 performance supporting her recent Turn Up the Quiet album. And, yeah, file premium-seat tickets under “crazy prices” ($175 & $138.75). On the other hand, nice to see a jazz musician get pop-star pay.

No definitive word on which musicians are joining Krall for the Clearwater date, but for a December show in Ottawa, she was joined by guitarist Anthony Wilson, bassist Robert Hurst, violinist Stuart Duncan, and drummer Karriem Riggins. Check out Peter Hum’s review.

And here’s a video of her appearance on “Jimmy Kimmel Live!” in August.

Dave-Stryker-740x493

Two superb, nationally known guitarists, Dave Stryker (pictured, above) and Peter Bernstein, are headed our way, too, for shows sponsored or co-sponsored by the Tampa Jazz Club. Stryker and Bernstein frequently play all the major NYC jazz clubs and big jazz festivals you can name.

Ahead:

  • Sunday, Jan. 28 — Tampa Jazz Guitar Summit/Tampa Jazz Club: Dave Stryker Quintet (w saxophonist Jack Wilkins, pianist Chris Rottmayer, bassist Charlie Silva, and drummer Walt Hubbard). HCC Ybor Mainstage Theatre, Ybor City, 3 pm. Link
  • Monday, Jan. 29 — Tampa Jazz Guitar Summit/Monday Night Jazz: Peter Bernstein, with the USF Faculty Jazz Ensemble (guitarist LaRue Nickelson, pianist/keyboardist Chris Rottmayer, bassist Mark Neuenschwander, and drummer Ric Craig)USF Concert Hall, Tampa, 7:30 pm. Link 
  • Tuesday, Jan. 30 — Diana Krall, Ruth Eckerd Hall, Clearwater, 7:30 pm. Link
  • Wednesday, Feb. 14 — Whitney James‘ Jazz Valentine. Side Door at the Palladium, St. Petersburg, 8 pm. Link
  • Wednesday, Feb. 21 — St. Petersburg Jazz Festival: Tal Cohen (piano) Trio, with bassist Dion Kerr and drummer David Chiverton. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Thursday, Feb. 22 — St. Petersburg Jazz Festival: (Saxophonist) Jeff Rupert Quintet with Veronica Swift (vocals), pianist Richard Drexler, bassist Ben Kramer, and drummer Marty Morell. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Friday, Feb. 23 — St. Petersburg Jazz Festival: B3 Fury with the Shawn Brown Quintet, with guitarist Nate Najar, saxophonist Jeremy Carter, and drummer Anthony Breach. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Saturday, Feb. 24 — St. Petersburg Jazz Festival: Helios Jazz Orchestra with (vocalists) Whitney James & Chuck Wansley. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Sunday, Feb. 25 — St. Petersburg Jazz Festival: (Pianist) Gabriel Hernandez Trio, with bassist Mauricio Rodriguez and drummer Dimas Sanchez. Side Door at the Palladium, St. Petersburg, 7:30 pm. Link
  • Monday, Feb. 26 — Monday Night Jazz: (Pianist/keyboardist) John Beasley. USF Concert Hall, Tampa, 7:30 pm. Link
  • Friday, March 2 — Tony Bennett. Mahaffey Theater, St. Petersburg, 7:30 pm. Link
  • Sunday, March 11 — Tampa Jazz Club: (Singer) Fred Johnson & (bassist) Michael Ross. HCC Ybor Mainstage Theatre, Ybor City, 3 pm. Link
  • Monday, March 26 — USF Monday Night Jazz: (Pianist) Steve Allee. USF Concert Hall, 7:30 pm. Link
  • Sunday, April 8 — Tampa Jazz Club: (Saxophonist) Harry Allen. HCC Ybor Mainstage Theatre, 3 pm. Link

Montreal Jazz Fest — Wishing I was there

I’ve had some incredible experiences hearing great performances and soaking up the other jazz happenings at the Montreal International Jazz Festival. Not to mention getting a chance to enjoy the cosmopolitan culture of one of North America’s most beautiful and most historic cities.

montreal

Last summer’s festival was again jam-packed with great music, some of which I wrote about for JazzTimes, and in several posts on this blog.

Sadly, I can’t make it for the 38th edition of the fest, which runs June 28-July 8.

But if I WERE headed to Montreal at the end of this month, I’d do my best to catch the following jazz, blues and pop/rock artists (some of whom are playing in bands with others on the list):

Ambrose Akinmusire, Arturo Sandoval, The Bad Plus, Ben Street, Bill Frisell, Brian Blade, Buddy Guy, Carla Bley, Charles Bradley, Charles Lloyd, Charlie Musselwhite, Curtis Lundy, Danilo Perez, Dave Douglas, Diana Krall, Donny McCaslin, E.J. Strickland, Eric Harland, Essiet Essiet, George Cables, Gerald Clayton, Ingrid Jensen, Jack DeJohnette, Jacob Collier, Jane Bunnett, Jeremy Pelt, Jesse Cook, John Hollenbeck, John Medeski, John Pizzarelli, John Scofield, Joshua Redman, Joss Stone, King Crimson, Kurt Rosenwinkel, Larry Grenadier, Michael Blake, Nicholas Payton, Reuben Rogers, Robert Glasper, Robin Eubanks, Scott Colley, Stanley Clarke, UZEB, and Wallace Roney.

Headed to Montreal? Let me know your thoughts on what you hear.

As for me — better luck next year.

 

 

Tampa Jazz Calendar — March/April 2015 & Beyond

Jazz, Blues & more—————————————————–

Thursday, March 26 — “Remember the Ladies”: Belinda Womack, Marian Mage, Valerie Gillespie, Patricia Dean, Janna Jones, The Palladium (Side Door), 7:30 p.m.

VALERIE-GILLESPIE_02-copy

Saturday, March 28 — G. Love & Special Sauce/Matt Costa, Jannus Live, St. Petersburg, 8 p.m.

Sunday, March 29 — Larry Garner, Skipper’s Smokehouse, Tampa, 5 p.m.

Tuesday, March 31 — John Ginty Band, Skipper’s Smokehouse, Tampa, 7 p.m.

Friday, April 3 — Selwyn Birchwood Band and Savants of Soul, Skipper’s Smokehouse, Tampa, 8 p.m.

Thursday-Friday, April 9-10 — Diana Krall, Capitol Theatre, Clearwater, 7:30 p.m.

Friday, April 10 — Tower of Power, Rod Piazza, John Nemeth, Denise LaSalle, Brandon Santini, Vinoy Park, St. Petersburg, 12:30 to 10 p.m.

Saturday, April 11 — Tampa Bay Blues Fest: Boz Scaggs, Ronnie Earl, Tab Benoit, Carolyn Wonderland, Bernard Allison, Vinoy Park, St. Petersburg, 12:30 to 10 p.m.

Sunday, April 12 — Tampa Bay Blues Fest: Southern Hospitality, The Lee Boys, Bryan Lee, Albert Castiglia, Betty Fox, Vinoy Park, St. Petersburg, 1 to 10 p.m. 

Wednesday, April 15 — Chris Botti, Capitol Theatre, Clearwater, 7:30 p.m.

Sunday, April 19 — Al Downing TBJA: Fred Johnson & Whitney James with Michael Ross, LaRue Nickelson and John Jenkins, American Stage Theatre/Raymond James Theatre, St. Petersburg, 3 p.m.

Sunday., April 19 — Tampa Jazz Club: James Suggs with Sharon Preston-Folta: Tribute to Louis Armstrong, HCC/Ybor Mainstage Theatre, Tampa, 3 p.m.

Monday, April 20 — Monday Night Jazz: Rufus Reid and Whitney James with the USF Jazz Ensemble, USF Concert Hall, Tampa, 7:30

Thursday, April 23 — Rene Marie, The Palladium (Side Door), St Petersburg, 7:30 p.m.

Tuesday, April 28 — Robert Cray & Shemekia Copeland, Capitol Theatre, Clearwater, 7:30 p.m.

Thursday, May 14 — John Mayall, Capitol Theatre, Clearwater, 7:30 p.m.

Friday, Oct. 30 — Mark Knopfler, Ruth Eckerd Hall, Clearwater, 8 p.m.

VENUES———————————————————————–

Jannus Live, 200 First Avenue N., St. Petersburg; (727) 565-0550

The Palladium, 253 Fifth Avenue N., St. Petersburg; (727) 822-3590

Raymond James Theatre, 163 Third St. N., St. Petersburg; (727) 823-7529

Ruth Eckerd Hall, 1111 McMullen-Booth Road, Clearwater; (727) 791-7400

Skipper’s Smokehouse, 910 Skipper Road, Tampa (813) 971-0666

Tampa Jazz Notes — Kenny Drew Jr. Memorial; O Som Do Jazz at HCC Ybor; Diana Krall at the Capitol

Aside from a piece in Jazz Times and some blog posts (including mine, below, and those in Jazz Truth, JazzWax, and via WUSF News), the late great pianist Kenny Drew‘s passing hasn’t attracted much attention in the music press or in mainstream newspapers. I didn’t see any notice of Kenny’s death in his hometown paper, the Tampa Bay Times, or in the New York Times, which often notes the deaths of major musicians. (Correct me if I’m wrong).

Kenny, who died on Aug. 3 at age 56, will be honored by friends, family, colleagues and fans during a memorial service Saturday Aug. 23 at McCabe United Methodist Church in St. Petersburg. The memorial will be held at 11 a.m. at the church, 2800 26th Ave. South.

“His genius will be missed,” as noted in an announcement sent by the Tampa Jazz Club, home to many concerts featuring Kenny, including a terrific trio performance in May.

That trio, with bassist Joe Porter and drummer John Jenkins, recently released a CD, titled “The Music of Tom Becker.” As of now, it’s available via download through CD Baby and Amazon.

A memorial fund for Kenny has been established through his church, Unity of Midtown, 511 Prescott St., South, St. Petersburg, FL 33712. Donations can be made by checks payable to “Unity of Midtown” or via PayPal. More info is here.

**********

O Som Do Jazz, the Brazilian/jazz band led by trombonist/composer David Manson, plays the Tampa Jazz Club’s first show of the fall season — Sunday, Sept. 28 at 3 pm at HCC Ybor’s Performing Arts Building. More details.

SPC prof Manson, singer Andrea Moraeas Manson, saxophonist Austin Vickrey, pianist David Cubillos, bassist Alejandro Arenas and drummer Mark Feinman will play music from the band’s two recordings. Two tunes from the group’s “A Kiss From Rio” recording were heard on the HBO series “Looking.”

**********

The good news: The jazz-rooted singer and underrated pianist Diana Krall is returning to the Tampa Bay area, with a show Dec. 14 at 7:30 pm at the the Capitol Theatre in downtown Clearwater (concert affiliated with Ruth Eckerd Hall). She’ll be joined by a first-rate band — guitarist Anthony Wilson, bassist Dennis Crouch, fiddler Stuart Duncan, drummer Karriem Riggins and keyboardist Patrick Warren.

The not-great news: It’ll cost you an arm and a leg to attend this show, as tickets START at $102.25. Seriously? Sure, it’s an “intimate” setting, but that’s about four times what you’d pay to see a show in the world’s greatest jazz club, The Village Vanguard in NYC. ‘Sup with that?

Details.

 

Jimmy Cobb & Peter Erskine Talk Ride Cymbals

(originally published in JazzTimes)

Jimmy Cobb & Peter Erskine On Ride Cymbals

What to look for in jazz’s essential cymbal

It begins from the inside out, explains Peter Erskine, the Weather Report veteran and noted bandleader and educator also recognized for his work with Steely Dan, Diana Krall, John Abercrombie and others. “What you hear in your head is what you’ll draw out of any instrument. I expect the cymbal to do something and I can usually draw that out,” Erskine said recently from Brooklyn, his home base while playing—in the pit and onstage—for the New York City Opera’s production of Anna Nicole.

A 22-inch Zildjian K Constantinople medium ride is Erskine’s go-to ride cymbal, but two other 22-inch rides have called his name. “The [K Constantinople] Renaissance model that was developed by Zildjian with Adam Nussbaum is a tremendous ride cymbal, not quite as dark as the [regular K] Constantinople. It’s remarkably versatile. And the [forthcoming Zildjian Kerope] is the closest thing to 1950s Ks that were played by all the drummers in the ’60s. … I’m pretty flipped by it.” The most important quality? “I look for clarity,” says Erskine.

Twenty-seven years ago, Erskine joined Elvin Jones on a memorable outing to the Zildjian factory in Istanbul. “Instead of going tip-tap and that kind of thing, Elvin took both sticks and just started roaring on the cymbal, playing on the edges with the shaft of the sticks for a good minute or two,” Erskine remembers. “There was this wash of white noise. Elvin was smiling and playing this thing and he got it moving. He really opened the cymbal up, got it warmed up and loose.

“That’s one of the important things, ultimately, when you’re trying out a cymbal: See how quickly it recovers from a crash or that roaring sound back to stick articulation. Any good cymbal should function as both a ride and a crash. Any of your drumming heroes, you’ll spot pretty easily that they’ll play that way. Tony [Williams] and Elvin and Mel Lewis said that, too.”

NEA Jazz Master Jimmy Cobb, whose heartbeat ride playing and impeccable swing fueled Miles’ classic Kind of Blue album, is working with Sabian to find the right cymbals to replace a set stolen during an overseas gig. The latter cymbals, including 20-inch and 18-inch Zildjian rides, were loaned to him by Mel Lewis as a temporary replacement for another set that was stolen.

Cobb, recently heard leading his trio at the Village Vanguard and continuing to play with his “So What” Band, the 4 Generations of Miles group and Javon Jackson’s We Four: Celebrating John Coltrane project, concentrates on tonal aspects and decay rates: “One I had was between bright and dark—I could hear the beat on the cymbal, hear the wood on the cymbal and hear the quality of the cymbal. For me, I don’t want it to be overbearing. I want to be able to hear the beat and not have it resound too long. I want a quick, sharp beat to it.

“With Miles,” he continues, “one time I was using a Zildjian with a couple of tacks in it, a sizzle. My setup was a 20-inch ride [on the right] and an 18-inch ride on the left. So I would play the big one when I was playing with horns and trumpets and the little one when I was playing with the piano or the bass.”
The best ride cymbal, Cobb argues, is the most versatile. “I look for one that sounds good in all kinds of situations, a cymbal that can be substantial all the time—it fits most rooms you play in,” he says. “That’s hard to find. You have to go through a lot of cymbals.”

(A personal note: Some years ago I had the great privilege of playing bass in an entire concert with the great Jimmy Cobb, and a stage full of great players, including Larry Willis, Antonio Hart, Vincent Herring, Rob Bargad and Longineau Parsons. It was a memorial concert for Nat Adderley, at Branscomb Auditorium on the FSC campus in Lakeland, Fla. I had been asked to bring my bass for Walter Booker to play, as he had previously liked playing my bass at the Child of the Sun Jazz festivals in Lakeland. He was felled by asthma, and I was tapped to play at the last minute).

Give the Bass Player Some: Ron Carter & Esperanza Spalding Top 77th Annual DownBeat Readers Poll

Veteran bassist Ron Carter and young bassist-singer Esperanza Spalding, a Grammy-winning star, grabbed the top spots in this year’s DownBeat Readers Poll.

Carter, an enormously influential double bass master heard on thousands of jazz recordings, a successful solo artist but probably best known for his association with Miles Davis’s second great quintet in the ’60s, was ushered into the Hall of Fame, just beating blues legend B.B. King.

Spalding, a gifted vocalist, upright and electric bassist, and songwriter who has wowed audiences as a leader and as a member of Joe Lovano’s US FIVE band (#14 in the Jazz Group category), won in the categories of Jazz Artist and Jazz Album of the Year, the latter for her pop-infused “Radio Music Society.”

Interestingly, neither won in the two bass categories: Christian McBride won for (double) Bass, while Stanley Clarke, who rode Return to Forever to stardom, won for Electric Bass.

Wayne Shorter, Carter’s old colleague in that Miles band, won in two categories — Soprano Saxophone, and Composer

The more than 17,000 voters in the poll, somewhat surprisingly, honored the Dave Brubeck Quartet in the Jazz Group category, and Big Band honors went to the Maria Schneider Orchestra, whose leader also won for Arranger.

(Complete list of winners)

Other honorees:

  • Trumpet: Wynton Marsalis
  • Trombone: Trombone Shorty
  • Alto Saxophone: Kenny Garrett
  • Tenor Saxophone: Sonny Rollins
  • Baritone Saxophone: James Carter
  • Clarinet: Anat Cohen
  • Flute: Hubert Laws
  • Piano: Brad Mehldau
  • Keyboard: Herbie Hancock
  • Organ: Joey DeFrancesco
  • Guitar: Pat Metheny
  •  Violin: Regina Carter
  • Drums: Jack DeJohnette
  • Vibes: Gary Burton
  • Percussion: Airto Moreira
  • Miscellaneous Instrument: Toots Thielemans
  • Female Vocalist: Diana Krall
  • Record label: Blue Note
  • Blues Artist or Group: B.B. King
  • Blues Album: Wynton Marsalis & Eric Clapton, “Play the Blues: Live From Jazz at Lincoln Center”
  • Beyond Artist or Group: Robert Glasper
  • Beyond Album: Robert Glasper Experiment, “Black Radio”

For more on the poll, including interviews with the winners, get the mag’s December issue or click here.

Jazz (and other music) CD Release Dates

(listed in reverse order; scroll down for earlier dates; updated as time permits)

2010 (coming soon)

2009

June 2

  • Freddie Hubbard, Without a Song: Live in Europe 1969 (Blue Note)

May 26

  • Kyle Asche Organ Trio featuring Melvin Rhyne, Blues for Mel (Tippin’ Records)

May 12

  • Lynne Arriale, Nuance (Motema)
  • Stanley Clarke Trio, Jazz in the Garden (Heads Up)
  • Charnett Moffett, The Art of Improvisation (Motema)
  • Dave Siebels, Dave Siebels with Gordon Goodwin’s Big Phat Band (PBGL)

May 5

  • Joel Harrison, Urban Myths (HighNote)
  • Joe Lovano and US Five, Folk Art (Blue Note)
  • David “Fathead” Newman, The Blessing (HighNote)

April 28

  • Melissa Morgan, Until I Met You (Telarc)
  • Spyro Gyra, Down the Wire (Heads Up)

April 14

  • Theo Bleckmann, Gary Versace and John Hollenbeck, Refuge Trio (Winter & Winter)
  • Derrick Gardner & the Jazz Prophets + 2, Echoes of Ethnicity (Owl Studios)
  • Chico Hamilton, Twelve Tones of Love (Joyous Shout!)
  • Jacques Loussier Trio, Jacques Loussier Plays Bach: The 50th Anniversary Recording (Telarc)
  • Kermit Ruffins, Livin’ a Treme Life (Basin Street)
  • Avery Sharpe Trio, Autumn Moonlight (JKNM Records)
  • Phil Woods, The Children’s Suite

April 7

  • Kenny Burrell, Prime: Live at the Downtown Room (HighNote Records)
  • “Papa” John DeFrancesco, Big Shot (HighNote Records)
  • Jack DeJohnette, John Patitucci and Danilo Perez, Music We Are (Golden Beams/Kindred Rhythm)
  • Pedro Giraudo Jazz Orchestra, El Viaje
  • Meryl Romer, So Sure (Lady Pearl Music)
  • Jimmy Rushing, The Scene (HighNote Records)
  • Radam Schwartz, Blues Citizens (HighNote Records)

April 1

  • Eyran Katsenelenbogen, 88 Fingers (Eyran)

March 31

  • Fly, Sky & Country (ECM)
  • Diana Krall, Quiet Nights (Verve)
  • Tim Kuhl, King (WJF Records)
  • Marcus Roberts, New Orleans Meets Harlem, Vol. 1 (J-Master)
  • Yotam Silberstein, Next Page (Posi-Tone Records)
  • Anna Wilson, Time Changes (Transfer Records)
  • Mark Winkler, Till I Get It Right (FreeHam Records)

March 24

  • Charles Tolliver Big Band, Emperor March: Live at the Blue Note (HalfNote)
  • Sean Jones, The Search Within (Mack Avenue)
  • Julian Lage, Sounding Point (EmArcy)
  • Chuck Loeb, Between 2 Worlds (Heads Up)
  • Wynton Marsalis, He and She (Blue Note)

March 17

  • Melvin Gibb’s Elevated Entity, Ancients Speak (LiveWired Music)
  • Burnt Sugar The Arkestra Chamber, Making Love in the Dark Ages (LiveWired Music)
  • Hugh Masekela, Phola
  • Return to Forever, Returns (Eagle Rock)

March 10

  • Fat Cat Big Band, Meditations on the War for Whose Great God is the Most High You Are God (Smalls)
  • Madeleine Peyroux, Bare Bones (Rounder)
  • Philippe Saisse, At World’s Edge (Koch)

March 3

  • Terrence Brewer, Groovin’ Wes (Strong Brew)
  • Matt Criscuolo, Melancholia (M)
  • Papa John DeFrancesco, Big Shot (HighNote)
  • Aaron J. Johnson, Songs of Our Fathers (Bubble-Sun Records)
  • Radam Schwartz, Blues Citizens (HighNote)
  • Tierney Sutton Band, Desire (Telarc)
  • Seth Walker, Leap of Faith (Hyena)

Feb. 24

  • Red Holloway, Go Red Go! (Delmark)
  • Pieces of a Dream, Soul Intent (Heads Up)
  • Joe Zawinul, 75 (Heads Up)

Feb. 17

  • Al Hood, Just a Little Taste (Al Hood Music)
  • Mark Rapp, Token Tales (Paved Earth)
  • Dr. Lonnie Smith, Rise Up! (Palmetto Records)

Feb. 10

  • Theo Bleckmann, Kneebody: Twelve Songs by Charles Ives (Winter & Winter)
  • Eddie Daniels and Roger Kellaway, A Duet of One – Live at the Bakery (IPO)
  • Gary Husband’s Drive, Hotwired (Abstract Logix)
  • Michael Wolff, Joe’s Strut (Wrong Records)

January 27

  • Ralph Alessi and Modular Theater, Open Season (RKM)
  • Clifton Anderson, Decade (Doxy/Emarcy)
  • Dee Anderson, Wild is the Wind (BluJazz)
  • Ernestine Anderson, A Song For You (HighNote)
  • David Binney, Third Occasion (Mythology)
  • Marc Copland, New York Trio Recordings, Vol, 3 – Night Whispers (NYTR)
  • Gerry Gibbs and the Thrasher Band, Moving On (RKM)
  • Tom Harrell, Prana Dance (HighNote)
  • John Stetch, TV Trio (Brux Records)

January 20

  • Miles Davis, King of Blue: Legacy Edition (Sony Legacy)
  • Benny Golson Jazztet, New Time, New ‘Tet (Concord)
  • Margie Notte & Friends, Just You Just Me:Live at Cecil’s (G Note)
  • Frank Sinatra, Seduction: Sinatra Sings of Love (Reprise)

January 13

  • Jon Burr, Just Can’t Wait, CD/Live at Birdland, DVD (JBQ Media)
  • Brian McCree, Changes in the Wind (Accurate)
  • Hendrik Meurkens, Samba to Go! (Zoho)
  • Mark O’Connor, Live in New York (OMAC)
  • Joshua Redman, Compass (Nonesuch)

January – undated

  • Richie Goods & Nuclear Fusion, Live at the Zinc Bar (RichMan)
  • Roberto Magris Trio, Kansas City Outbound (Vento Azul)

2009 – undated

  • Daniel Smith, Blue Bassoon

2008

December 11

  • Steven Santoro, Whisper My Name (Red Lion)

December 4

  • Baron Tymas, Insight at Midnight (Tymas)