Tampa Jazz (& More) Calendar: Snarky Puppy Leads a Parade of Great Tampa Bay Area Shows

The great, artistically and physically expansive jazz/funk/fusion band Snarky Puppy, with blue-chip funky jammers The Motet, leads a parade of great jazz (& more) shows slated to play the Tampa Bay area in coming weeks and months.

Snarky Puppy, touring in support of last year’s “We Like It Here,” plays Monday night (doors at 7:30) at the State Theater in St. Petersburg.

Also noteworthy, and headed our way:

Friday, Jan. 9 — Marcia Ball with Lipbone ReddingSkipper’s Smokehouse, Tampa, 8 p.m.

Saturday, Jan. 10 — Denise Moore And Then Some — Palladium Theater, St. Petersburg, 8 p.m.

Sunday, Jan. 11 — Valerie Gillespie Quintet with John DePaola: Tribute to Cannonball and Nat Adderley — (Tampa Jazz Club concert) HCC Mainstage Theatre, Ybor City, 3 p.m.

Tuesday, Jan. 13 — Lettuce — State Theatre, St. Petersburg, doors at 7 p.m.

Friday, Jan. 16 — Voice of the Wetlands Allstars: Tab Benoit, Cyril Neville, Waylon Thibodeaux, Johnny Vidacovich, Jumpin’ Johnny Sansone, Big Chief Monk Boudreaux with Galbraith Group — Skipper’s Smokehouse, Tampa, 8 p.m.

Saturday, Jan. 17 — Sunshine Blues & Music Festival: Tedeschi Trucks Band, Los Lobos, Grace Potter, Dickey Betts & Great Southern, The Chris Robinson Brotherhood, The Both (Aimee Mann & Ted Leo), Rebirth Brass Band, Matt Schofield, Sean Chambers — Vinoy Park, St. Petersburg

Tuesday, Jan. 20 — Greensky Bluegrass with The Last Bison — State Theatre, St. Petersburg, doors at 7 p.m.

Tuesday, Jan. 20 — Eliana Blanchard & Bryan Hughes with Helios Jazz Orchestra — Palladium Theater, St. Petersburg, 7:30 p.m.

Thursday, Jan. 22 — Jazz Pianist Stan Hunter: A Celebration (with Patrick Bettison, LaRue Nickelson, Alejandro Arenas, and Joe Bencomo — Palladium Theater, St. Petersburg, 7:30 p.m.

Saturday, Jan. 31 — Galactic with Monophonic — State Theatre, St. Petersburg, doors at 7:30 p.m.

Friday, Feb. 6 — Eric Lindell with Anson Funderburgh — Skipper’s Smokehouse, Tampa, 8 p.m.

Saturday, Feb. 7 — Jonny Lang — Palladium Theater, St. Petersburg, 8 p.m.

Sunday, Feb. 14 — Whitney James’ Jazz Valentine (with Jeremy Powell, LaRue Nickelson, Alejandro Arenas and Mark Feinman — Palladium Theater, St. Petersburg, 8:30 p.m.

Sunday, Feb. 15 — George Porter, Jr. with Walter Wolfman Washington — Skipper’s Smokehouse, Tampa, 5 p.m.

Feb. 25 — St. Petersburg Jazz Festival: James Varnado Jazz/Funk Band – ARTpool courtyard, 7:30 p..m.

Feb. 26 — St. Petersburg Jazz Festival: Shawn Brown Trio – Palladium Theater, 7:30 p.m.

Feb. 27 — St. Petersburg Jazz Festival: The Claudia Quintet – SPC Music Center, 7:30 p.m.

Feb. 28 — St. Petersburg Jazz Festival: Kevin Mahogany & Helios Jazz Orchestra – SPC Music Center, 7:30 p.m.

March 1 — St. Petersburg Jazz Festival: Post-Festival Jazz Jam – Manhattan Casino, 6 p.m.

March 1 — Dave Stryker — (Tampa Jazz Club concert) HCC Mainstage Theatre, Ybor City, 3 p.m.

 

 

 

Tampa Jazz Notes — Kenny Drew Jr. Memorial; O Som Do Jazz at HCC Ybor; Diana Krall at the Capitol

Aside from a piece in Jazz Times and some blog posts (including mine, below, and those in Jazz Truth, JazzWax, and via WUSF News), the late great pianist Kenny Drew‘s passing hasn’t attracted much attention in the music press or in mainstream newspapers. I didn’t see any notice of Kenny’s death in his hometown paper, the Tampa Bay Times, or in the New York Times, which often notes the deaths of major musicians. (Correct me if I’m wrong).

Kenny, who died on Aug. 3 at age 56, will be honored by friends, family, colleagues and fans during a memorial service Saturday Aug. 23 at McCabe United Methodist Church in St. Petersburg. The memorial will be held at 11 a.m. at the church, 2800 26th Ave. South.

“His genius will be missed,” as noted in an announcement sent by the Tampa Jazz Club, home to many concerts featuring Kenny, including a terrific trio performance in May.

That trio, with bassist Joe Porter and drummer John Jenkins, recently released a CD, titled “The Music of Tom Becker.” As of now, it’s available via download through CD Baby and Amazon.

A memorial fund for Kenny has been established through his church, Unity of Midtown, 511 Prescott St., South, St. Petersburg, FL 33712. Donations can be made by checks payable to “Unity of Midtown” or via PayPal. More info is here.

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O Som Do Jazz, the Brazilian/jazz band led by trombonist/composer David Manson, plays the Tampa Jazz Club’s first show of the fall season — Sunday, Sept. 28 at 3 pm at HCC Ybor’s Performing Arts Building. More details.

SPC prof Manson, singer Andrea Moraeas Manson, saxophonist Austin Vickrey, pianist David Cubillos, bassist Alejandro Arenas and drummer Mark Feinman will play music from the band’s two recordings. Two tunes from the group’s “A Kiss From Rio” recording were heard on the HBO series “Looking.”

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The good news: The jazz-rooted singer and underrated pianist Diana Krall is returning to the Tampa Bay area, with a show Dec. 14 at 7:30 pm at the the Capitol Theatre in downtown Clearwater (concert affiliated with Ruth Eckerd Hall). She’ll be joined by a first-rate band — guitarist Anthony Wilson, bassist Dennis Crouch, fiddler Stuart Duncan, drummer Karriem Riggins and keyboardist Patrick Warren.

The not-great news: It’ll cost you an arm and a leg to attend this show, as tickets START at $102.25. Seriously? Sure, it’s an “intimate” setting, but that’s about four times what you’d pay to see a show in the world’s greatest jazz club, The Village Vanguard in NYC. ‘Sup with that?

Details.

 

Tampa Jazz Calendar — Branford Marsalis; Maria Schneider w/ USF Jazz Ensemble; Jazz Songbirds

Upcoming jazz shows:

Sunday, March 23 — Jazz Songbirds: Denise Moore, Karen Benjey, Valerie Gillespie (plus Alejandro Arena and Stephen Bucholtz), Palladium Theater (Side Door), St. Petersburg, 3 p.m.; $18 advance, $20 day of show

Monday, March 31 — Monday Night Jazz Series: Maria Schneider with the USF Jazz Ensemble, USF Concert Hall, Tampa, 7:30 p.m.; $8 and $12 advance; $10 and $15 day of show

Branford Marsalis

Thursday, April 3 — Branford Marsalis Quartet, Palladium Theater, St. Petersburg, 8 p.m.; $39, $49, and $59

Tuesday, May 7 — Rhapsody on Fifth: Wycliffe Gordon, Mark Markham, Palladium Theater, St. Petersburg, 7 p.m.; $25 and $50

Have info on jazz shows? Send details on concerts (not club listings) to jphilipbooth@hotmail.com

Tampa Jazz Notes: Christian McBride Rules at the Mahaffey; Ybor Jazz Fest Continues; Rickie Lee Jones Cancelled

 
Christian McBride
, easily the most recorded and most honored jazz bassist of his generation, brought his trio to the Mahaffey Theater in St. Petersburg  Saturday night for two impressive sets’ worth of standards and original compositions.

Much of the music was taken from McBride’s new CD, due early next year on the Mack Avenue label.  It wouldn’t be overstating things to say that the group, with McBride (Mahaffey photo by Bridge Burke) joined by monster young pianist Christian Sands and similarly talented drummer Ulysses Owens Jr. (photo by Bridge Burke), played the hell out of the material.

Unlike some of his recent ventures, McBride’s current trio is focused on the acoustic bebop, hard bop and swing side of jazz, with a nod to funk and R&B only coming only at the end of the show, courtesy of a version of Johnny Taylor’s “Who’s Making Love” that also referenced Michael Jackson’s “Gonna Be Starting Something” and Queen’s “Another One Bites the Dust.”

Sands, 23, throughout displayed astonishing chops that were sometimes reminiscent of the likes of Oscar Peterson, and he also showed a lighter, more genteel touch, in the vein of the late Billy Taylor, one of the New Haven, Conn. native’s early teachers. Owens demonstrated precise, intuitive playing, throwing unexpected accents and bomb drops into the mix, and sometimes switching to brushes.

McBride, of course, was the show’s star, turning in jaw-dropping runs, chords, slides and harmonic plucks, and offering beefy tone and walking grooves that were heavily influenced by Ray Brown and Ron Carter, while still distinctly his own.

The trio offered standards and familiar pieces — “Monk’s “I Mean You,” “My Favorite Things,” Billy Taylor’s “Easy Walker,” Benny Golson’s “Killer Joe” — as well as McBride’s smartly turned originals.

Nice seeing McBride back in the Tampa Bay area so quickly, after bringing his “Kind of Brown” quintet to last year’s Clearwater Jazz Holiday; before that, he was last here with Pat Metheny‘s Trio, with drummer Antonio Sanchez, at the Tampa Theatre. McBride more than once told the audience how much he felt at home. So maybe he’ll make it an annual tradition?

(I’m writing a more detailed review of the fest for a jazz mag; I’ll link to it in this space when it’s published)

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If the Mahaffey audience felt like a hometown crowd to McBride, maybe that owed in part to the number of locally based jazz musicians and jazz aficionados in attendance for what felt like a must-see on this year’s jazz calendar. We ran into pianists Kenny Drew, Jr. and Stan Hunter, drummers Ian Goodman, Mark Feinman and Steve Bucholtz (my old rhythm-section mate from the University of Florida jazz band), and bassist Alejandro Arenas, as well as Bob Seymour, the longtime jazz director for WUSF, 89.7 FM. Several musicians, and students, had a chance to attend a Q&A with McBride during sound check on Saturday afternoon.

That “just like home” feeling probably stemmed, too, from the fact that some McBride family members were in the audience, including a cousin, Faith Walston. McBride took a few minutes to give a shout-out to Walston’s recent book, “All Paws In: Lessons Learned From Loving My Rescue Dogs.”

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Many of the above-mentioned locally based musicians are on the bill for the third annual Ybor Jazz Festival, which continues through Sunday at the HCC Performing Arts Building in Ybor City. Drew plays tonight, with Latin supergroup Guisando Caliente. Sunday, the trio Jazztek will be followed by Rayzilla’s Dreamboats. Admission is $15 daily. For more information, click here.

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As mentioned on my Facebook page, I was REALLY looking forward to hearing Rickie Lee Jones, next Sunday (Nov. 11) at the Palladium Theater in St. Petersburg. Jones’ voice, jazz-pop songs and arrangements and great bands first impressed me back in the summer of ’79, when Chuck E.’s in Love” was part of the soundtrack of my teenage life (and background for an early romance). She had me at hello.

Unfortunately, the show was suddenly cancelled this week. I’ve not made any official inquiries as to why it’s no longer happening. On a whim, I contacted Rickie Lee through her Twitter account, and this is what she wrote in response: “Cancelled by promoter and manager. Come to the other date n florida.”

She’s also playing Nov 7 in Little Torch Key, Nov. 9 in Ponte Vedra, and Nov. 10 in Orlando. For more info, visit her site.

Tampa Jazz Notes: The March of Jazz

Dick Hyman and other pianists, alone and with trios, rising-star jazz singer Sophie Milman, a duo featuring guitarist LaRue Nickelson and saxophonist Jeremy Powell, saxophonist Jack Wilkins’ new project, and a show saluting women in jazz are all on the jam-packed jazz calendar in March.

A quick look:

Tonight, March 12 – Pianist Kym Purling (left) is joined by two players whose names have been popping up a lot lately, bassist Alejandro Arenas and drummer Stephen Bucholtz, for a program titled “Music From the Movies,” saluting the Oscars. Side Door Jazz at the Palladium in St. Petersburg, 8 p.m.

Sunday, March 14 – Saxophonist Jeremy Powell and guitarist LaRue Nickelson play a duo show in support of their impressive new CD, Amizade (right, below), a collection of striking original compositions, including some influenced by Brazilian music. Musicology, Clearwater, 4 p.m.

Thursday, March 18 – Sophie Milman, a fast-rising Toronto singer who was born in Russia and largely raised in Israel, brings her touring band to town for standards and pop covers — from Cole Porter to Springsteen — heard on her third CD, last year’s engaging Take Love Easy. That CD debuted at No. 6 on Billboard‘s jazz chart. Palladium, 8 p.m. (See the St. Petersburg Times Weekend section on Thursday for my interview with Milman)


Friday, March 19 – The Valerie Gillespie Ensemble, led by the saxophonist (left) and USF jazz studies adjunct professor, presents a program titled “It’s About the Melody”! at the Bayview Room at the Mahaffey Theater in St. Petersburg, at 7 p.m.

Friday, March 19 and Saturday, March 20 – Trio Vibe, my group with vibraphonist Sam Koppelman, returns to Della’s. For this show, we’ll be joined by drummer Jose Munoz. We play from 7 to 10 p.m. each night.

Saturday, March 20 – Nationally known artists “Sweet” Sue Terry, alto sax, and Peggy Stern, piano, headline Women of Jazz III, with Rose Bilal and Theo Valentine, vocals; Patty Sanphy, guitar; Sandi Grecco, drums; Anne Van Atta, bass; and Arbra Tawwab, mistress of ceremonies. The show, presented by the Al Downing Tampa Bay Jazz Association and the Jazztorian organization, is a scholarship benefit. Palladium, 7:30 p.m.

(The show’s musicians and other female jazzers will be saluted by Tampa singer Denise Moore on this Saturday’s edition of the Charles Vann Memorial Jazz Party, from 6 to 9 p.m. on WMNF, 88.5 FM)

Sunday, March 21 – Renowned pianist and composer Dick Hyman, a Venice (Florida) resident probably most widely known for his contributions to Woody Allen soundtracks, goes solo for “A Century of Jazz Piano,” a Tampa Jazz Club show. HCC Performing Arts Theater, Ybor City (Tampa), 3 p.m.

Sunday, March 21 – Larry Camp (right, below), by now the dean of the area’s front-rank jazz guitarists, is joined by a first-rate rhythm section — bassist Mark Neuenschwander and drummer Walt Hubbard. Marriott Hotel, Roosevelt and 28th St. N., St. Petersburg, 3 p.m.

Sunday, March 21 – Drummer Ron Gregg‘s trio with saxophonist Jim Holibaugh and keyboardist Kevin Wilder is joined by guitarist Vince Sims. Royal Theater, St. Petersburg, 4 p.m.

Sunday, March 21 – A group led by pianist Stan Hunter (left) is joined by singer Sasha Tuck. La Grande Hall @ Yamaha Piano, Clearwater, 3 p.m.

Monday, March 29 – Saxophonist Jack Wilkins, director of jazz studies at USF, premieres the music from his forthcoming Blue Ridge Mountains-themed CD. For the Monday Night Jazz Series concert on the USF campus in Tampa, he’ll be joined by guitarist (and former USF jazz studies grad student) Corey Christiansen, now a nationally known artist and Utah State University music prof; drummer and UNF prof Danny Gottlieb, formerly a USF artist in residence and part of the old Pat Metheny Group; renowned vibraphonist Jon Metzger; and the USF Jazz Faculty Ensemble. 8 p.m. at Theatre 2. (Wilkins and Christiansen appear together, doing “Tenor Madness,” in the below video).

For more information about the above mentioned concert venues, including addresses, phone numbers, and links to their web sites, please visit my Tampa Bay Area Music Calendar.

Denise Moore: “A Jazz History,” tonight at the Palladium

Tampa singer Denise Moore brings her new jazz-history show to the Palladium tonight. I’ve known Denise since her days with Paul Wilborn & the Pop Tarts, and I’ve had the opportunity to sub in her bands on a few occasions. I’ve also connected with Denise and her husband Alex Spassoff in and around Jazz Fest in New Orleans.

I recently spoke with Denise for a feature published today in the St. Petersburg Times. Click here to see the story online in the Times. Or read the expanded version, below.

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Tampa singer Denise Moore grew up listening to jazz – Ella Fitzgerald, Peggy Lee, Brazil’s Flora Purim and such jazz-influenced vocalists as Joni Mitchell.

But the Georgia native, who grew up in Melbourne, Florida, took her time stepping up to the mic in front of a jazz group. She sang with a band in the swing-folk-country mold of Dan Hicks and His Hot Licks while she was a student at the University of Georgia in Athens. Later, she sang R&B, pop and blues with Tampa Bay area bands Paul Wilborn and the Pop Tarts, and the Women’s Blues Revue.

“I really didn’t get this going until I was 40,” Moore said. “A friend said, ‘You need to have your own group.’ I said, ‘I can’t do that.’ But I did. And I went to what I love — jazz. I love this music. It feels good to me.”

Fifteen years later, she’s made up for lost time. Her band, Denise Moore & Then Some, has become a regular on the Tampa Bay area jazz scene, and she released a debut CD, Nothing Standard.

Fans of the singer can play a part in her new project: Moore’s next CD will feature music recorded live tonight at the Palladium Theater. The concert is part of the St. Petersburg venue’s Side Door Jazz series.

Moore, joined by pianist and arranger Billy Marcus, saxophonist David Pate, bassist Alejandro Arenas and drummer Stephen Bucholtz, will play an ambitious program, “A Jazz History,” covering everything from early New Orleans jazz to smooth jazz.

The group will play about 20 tunes, including Fats Waller‘s “Ain’t Misbehavin’,” Wes Montgomery‘s “West Coast Blues,” Antonio Carlos Jobim‘s “No More Blues” and Anita O’ Day‘s version of “Let’s Face the Music and Dance.”

“We’ll start off with some ragtime and go all the way up to smooth jazz, and also do bebop, free jazz, swing, standards, and Brazilian music,” Moore said. “We’re doing the music in chronological order.”

Moore’s jazz history project, funded with a grant from the Arts Council of Hillsborough County, includes more than the concert and the recording, which are being engineered by WMNF, 88.5 FM station manager Jim Bennett. The singer is creating an educational web page, on her own web site, which will offer information on various jazz songs and styles, accompanied by audio clips taken from the concert. In addition, the concert will be aired on Bennett’s “In the Moment” show on jazz station KCSM-FM in San Mateo, California. She also plans to perform the program for audiences at public schools in Hillsborough County.

“We just want to give an overview of jazz for people that don’t know about all of it,” Moore said. “We’re saying, ‘Here’s a whole menu – you can select what you like, and you can decide if you want to taste that or maybe explore it more.”

When not working on her music, Moore stays busy as co-owner, with her husband Alex Spassoff, of the Suncoast Massage Therapy Center, a business that opened 20 years ago. She also teaches yoga, for the city of Tampa and privately.

“I did a workshop at the Homemade Music Symposium two years ago, on breath work for singers and horn players,” she said. “The idea is to help sustain the breath and calm the musician down. It’s a tool for stress relief and also expanding lung capacity. I feel like I’m a healing artist – with music, massage, and yoga.

Moore’s understanding of yoga and concepts related to relaxation and breath control directly feed into her approach to jazz singing, she said.

“You want to leave everything else behind and just become present. It is really one of the only times when you are present — you re totally in that moment and everything else is gone.”

SPC Jazz Fest: John Lindberg, Powell Brothers, Guisando Caliente, Helios Jazz Orchestra

Free-minded bassist John Lindberg, and a quintet co-led by saxophonist Jeremy Powell and trumpeter Jonathan Powell will play the second annual St. Petersburg College Jazz Festival, kicking off Thursday night (Feb. 4).

I interviewed fest direct David Manson for a story to be published in tomorrow’s edition of the St. Petersburg Times. Click here to read the story online, or see below for an extended version of the piece.

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David Manson (left) had a straightforward goal in mind when he put together the bill for the second annual St. Petersburg College Jazz Festival. The three-day event opens Thursday night at the 320-seat SPC Music Center on the school’s St. Petersburg/Gibbs campus.

“We wanted to do a true jazz festival in St. Petersburg,” said Manson, a trombonist, composer, and head of jazz studies at SPC. “And we wanted variety — an evening of big band, an evening of Latin jazz, and a third night that’s kind of on the edge.”

Thursday night’s “Big Band Big Bang!”  program has SPC’s resident ensemble, the Manson-directed Helios Jazz Orchestra, joined by two singers – Sasha Tuck (right), who teaches in the college’s Music Industry Recording Arts (MIRA) program, and Dale Williams, who made his name singing in Detroit groups.

Friday night’s “Hot Latin Jazz!” show features Guisando Caliente (left), an all-star group of Florida players with acclaimed pianist Kenny Drew, Jr., percussionist Frankie Pineiro, saxophonist Jeff Rupert, drummer John Jenkins, and bassist Mauricio Rodriguez.

Edgy fare will close out the festival on Saturday, with a double-bill concert featuring the Powell Brothers Quintet, with saxophonist Jeremy (left) and trumpeter Jonathan (right)  joined by guitarist LaRue Nickelson, bassist Alejandro Arenas, and drummer Ian Goodman, and an opening set by renowned bassist John Lindberg (below, left)

Lindberg, in town for a two-week residency at SPC, co-founded the String Trio of New York, and has played with such free-jazz luminaries as saxophonist Anthony Braxton and trombonist Albert Mangelsdorff. He has been heard on more than 90 recordings, and in 2009 released his “Year 50 Album” and, with his Blob group, a CD titled “You Can’t Get There From Here.”

Last weekend at the Dali Museum, the bassist gave an unamplified, mostly unaccompanied performance during which he demonstrated his ability to improvise on bassist Jimmy Garrison‘s “Ascendant” and play expansively on several of his own compositions, all abetted by his creative, percussive use of his bow. On a new tune, “Floating Figures, Shifting Slips,” he was joined by Manson, and SPC faculty member David Irwin, on clarinet and bass clarinet.

The Powells both have roots in the Tampa Bay area, and both have experience playing and recording in New York City. Jeremy still lives here, and plays with Infinite Groove Orchestra, Swamp Logic and other groups. Last month he released two CDs – Amizade, with guitarist Nickelson, and his own Fluorinescence. Jonathan has worked with saxophonist Sam Rivers, bassist Reggie Workman, and hip-hoppers Q-Tip and Snoop Dogg. Recently the recipient of the “Latin Jazz Corner” website’s award for the best Latin jazz trumpeter of 2009, Jonathan will soon release an album titled Transcend.

The group will play all original compositions, plus an arrangement of “Here’s to Life” with guest singer Whitney James.

“I’ve been wanting to put Jonathan and Jeremy together on a show,” Manson said. “Unlike a lot of young players, they’re not really emulating or copying someone — they have their own style.”

Festival site: http://www.spcollege.edu/spg/music/jazzfest2010.htm