The Village Vanguard at 75

Belated happy 75th birthday wishes to the Village Vanguard, the basement jazz temple on Seventh Avenue South opened by Max Gordon, who launched the nightclub as a home for folk music, poetry, and comedy.

I’ve been privileged to visit the Vanguard — intimate, acoustically pristine, its staff eminently respectful of the music and devoted to the arts of jazz playing and listening — quite a few times over the years, for shows by the likes of guitarist Kurt Rosenwinkel, trumpeter Nicholas Payton, and an all-star group gathered to celebrate the club’s 50th anniversary.

For that 1985 occasion, I met and interviewed Gordon, who passed away in 1991; his widow, Lorraine, subsequently operated the club. If/when I track down the piece I wrote for The Villager, during my brief stint as a grad student at NYU, I’ll pull some quotes/observations and include them here.

How and why has the 123-seat Vanguard survived, while other famed Greenwich Village jazz clubs, including Seventh Avenue South, Sweet Basil, and Bradley’s, have not?

“It’s not fancy,” as Lorraine Gordon told Lara Pellegrinelli for a story published at NPR.org. “It’s not pretentious. It doesn’t serve food. It doesn’t take credit cards. It doesn’t allow cell phones or cameras. It doesn’t do a lot of things, but it does give good music.”

The Vanguard celebrated its 75th last week with a residency by saxophonist Joe Lovano’s Us Five, with pianist James Weidman, bassist Esperanza Spalding, and drummer Otis Brown and Francisco Mela. Sad to say that I couldn’t be on hand for any of those performances, but happy to report that I’ll get the chance to see the group in late April at Jazz Fest in New Orleans.

More than 100 jazz albums have been recorded at the club, starting with a 1957 classic capturing performances by saxophonist Sonny Rollins‘ pianoless trios.

Gordon’s “Live at the Village Vanguard,” published in 1982, remains the essential biography of the Vanguard’s first half-century. Lorraine Gordon’s bio, which I’ve yet to read, “Alive at the Village Vanguard: My Life In and Out of Jazz Time,” co-written by Barry Singer, was published in 2006 to great acclaim.

And the music isn’t slowing down: The Vanguard’s schedule includes upcoming performances by drummer Al Foster‘s quartet (March 2-7), and trumpeter Payton’s quintet (March 9-14).

And a March 16-21 appearance by drummer Paul Motian‘s trio with pianist Jason Moran and saxophonist Greg Osby looks to be one of the highlights of New York’s spring jazz season. Motian doesn’t tour, but he’s playing the Vanguard show to support a new CD with Moran and saxophonist Chris Potter, Lost in a Dream (ECM), due for release March 9.

Clifton Anderson, Decade (CD review)

Clifton Anderson, Decade (Doxy)

anderson1Trombonist Clifton Anderson, for nearly 25 years the second-horn man to saxophone giant Sonny Rollins, indeed has grown as a player and improviser over the course of that long residency with his uncle.

For his first record as a leader since 1997, Anderson is joined on most tunes by longtime Rollins bassist Bob Cranshaw (on acoustic, rather than electric, for 5 of his 6 tracks), sometimes Rollins drummer Al Foster and pianist Larry Willis. He offers a warm bone sound and impressively fluent improvisations on a set of music — up-tempo swing, blues, standards “I’m Old Fashioned” and “We’ll Be Together Again,” rollicking calypso “Ah Soon Come” — that wouldn’t be out of place at his day job.

Particularly appealing is the tonal blend Anderson achieves with alto saxophonist Kenny Garrett on Anderson’s medium-swinging “Z” and briskly moving “Stubbs,” a tribute to late saxophonist John Stubblefield, who initially had been slated to play on the album.

Both of those tracks, along with a snappy remake of the Bread soft-rock hit “If,” benefit from the playing of a younger rhythm section — pianist Stephen Scott, bassist Christian McBride, and drummer Steve Jordan. Eric Wyatt, on Rollins-esque tenor, makes a strong showing on Anderson’s “Aah Soon Come” and his blues “Deja-Blu.”

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Anderson plays dates in Arkansas, California and Texas through May 3, and heads to Europe this summer. For more information, check his site.