25 OTHER Notable Jazz Discs of 2018

Given the profusion of top-shelf jazz recordings released throughout the year, my Top 10 list barely scratched the surface of the new and notable.

So here are 25 more of 2018’s best jazz releases, worthy of your time and attention.

Antonio Adolfo: Encontros — Orquestra Atlantica (AAM)

Ambrose AkinmusireOrigami Harvest (Blue Note)

Roni Ben-Hur & Harvie SIntrospection (Jazzheads)

Anat Cohen & Fred HerschLive in Healdsburg (Anzic)

Chick CoreaThe Musician (Concord)

Rob Dixon Trio featuring Charlie Hunter & Mike ClarkCoast to Crossroads (Rob Dixon)

Bill FrisellMusic IS (Okeh/Sony)

Aaron GoldbergAt the Edge of the World (Sunnyside)

Jimmy Haslip/Scott Kinsey/Gergo BorlaiArc Trio (Blue Canoe)

Carlos HenriquezDizzy Con Clave (RodBros)

Fred Hersch TrioLive in Europe (Palmetto Records)

Charles Lloyd & the Marvels + Lucinda WilliamsVanished Gardens (Blue Note)

Medeski Martin & Wood with Alarm Will SoundOmnisphere (Indirecto)

Brad Mehldau TrioSeymour Reads the Constitution! (Nonesuch)

Hendrik Meurkens/Bill CunliffeCabin in the Sky (Height Advantage)

Francois Moutin & Kavita ShawInterplay (Dot Time)

Bill O’ConnellJazz Latin (Savant)

Houston Person & Ron CarterRemember Love (HighNote)

Charles Pillow Large EnsembleElectric Miles (MAMA)

Dan Pugachi NonetPlus One (Unit)

Cecile McLorin SalvantThe Window (Mack Avenue)

SFJAZZ CollectiveOriginal Compositions & the Music of Ornette Coleman, Stevie Wonder & Thelonious Monk (SFJAZZ)

John ScofieldCombo 66 (Verve)

Dr. Lonnie Smith, All in My Mind (Blue Note)Jim Snidero & Jeremy PeltJubilation! Celebrating Cannonball Adderley (Savant)

Kamasi WashingtonHeaven and Earth (Young Turks)

Jazz in Nashville? Well, yes.

F1F658D0-9D60-4AE7-825E-524C2408CF24.JPG25EDBA6B-DAA6-4E6C-8D30-41C9816C60B4.JPGNashville, of course, is ground zero for country music — at least, for most of the country music that lands major radio airplay.

But Music City long has been home to lots of superb players who are also accomplished jazz cats. In recent years, that list has grown to include the likes of saxophonist Jeff Coffin, guitarist Larry Carlton, banjo man Bela Fleck, bassist and Belmont prof Roy Vogt, and friends and former Florida residents Jeff Berlin, the virtuoso bass guitarist, and Mike Pachelli (with whom I’ve played on several occasions over the years).

Rudy’s Jazz Room is the (relatively) new jazz spot in town, and I’m happy I got a chance to stop in on Monday night, for the weekly performance by Charles Treadway‘s organ trio, with Nashville guitar cat Pat Bergeson (Lyle Lovett, Suzy Bogguss, and the late Chet Atkins) and, on this gig, drummer Jordan Perlson.

The three, playing on a slightly elevated stage in front of a red curtain, turned in a set of jazz standards, blues, fusion, boogaloo, and old school R&B/funk that ranged from mellow to swinging to absolutely schmokin’.

Their repertoire, easy to love, included Duke Ellington’s “Reflections in D,” Benny Goodman’s “Don’t Be That Way,” Duke Pearson’s “Idle Moments” (popularized by Grant Green) and three written by and/or associated with noted B3 men — Dr. Lonnie Smith‘s “The Man From Toledo,” Bobby Pierce’s “To Newport With Love” and Jimmy McGriff’s “Healin’ Feeling.” Pretty sure I was hearing their creative take on the Bee Gees’ “How Deep is Your Love” on the way out.

Rudy’s is a comfortable, beautifully appointed place, with cleverly named specialty drinks and good food — I had the gumbo. Photos, posters and other artwork related to jazz icons including Miles, Monk and Louis Armstrong adorn the walls. And ornate lantern-style lights hang from the bare, industrial-looking low ceilings.

I’ll be back one day, I hope.

Grammy jazz nominees: Wayne Shorter, Joshua Redman, Brad Mehldau, more

Most of the Grammy noms are a bunch of meh, IMO. Guess I’m not the target audience.

Kudos to the jazz nominees.
The albums by Wayne Shorter, Redman/Miles/Colley/Blade, Eddie Daniels, and Eddie Daniels landed on the Top 10 list I submitted to JazzTimes mag and elsewhere.

At least two Florida connections:
Scotty Barnhart, director of Count Basie Orchestra (best large jazz ensemble album) is the longtime jazz trumpet prof at FSU. 
And celebrated pianist Brad Mehldau (best improvised jazz solo) is a Jacksonville native.
Best Improvised Jazz Solo:
“Some Of That Sunshine” — Regina Carter, soloist
“Don’t Fence Me In” — John Daversa, soloist
“We See” — Fred Hersch, soloists
“De-dah” — Brad Mehldau, soloist
“Cadenas” — Miguel Zenón, soloist

Best Jazz Vocal Album:
“My Mood Is You” — Freddy Cole
“The Questions” — Kurt Elling
“The Subject Tonight Is Love” — Kate McGarry With Keith Ganz & Gary Versace
“If You Really Want” — Raul Midón With The Metropole Orkest Conducted By Vince Mendoza
“The Window” — Cécile McLorin Salvant

Best Jazz Instrumental Album:
“Diamond Cut” — Tia Fuller
“Live In Europe” — Fred Hersch Trio
“Seymour Reads The Constitution!” — Brad Mehldau Trio
“Still Dreaming” — Joshua Redman, Ron Miles, Scott Colley & Brian Blade
“Emanon” — The Wayne Shorter Quartet

Best Large Jazz Ensemble Album:
“All About That Basie” — The Count Basie Orchestra Directed By Scotty Barnhart
“American Dreamers: Voices Of Hope, Music Of Freedom” — John Daversa Big Band Featuring DACA Artists
“Presence” — Orrin Evans And The Captain Black Big Band
“All Can Work” — John Hollenbeck Large Ensemble
“Barefoot Dances And Other Visions” — Jim McNeely & The Frankfurt Radio Big Band

Best Latin Jazz Album:
“Heart Of Brazil”— Eddie Daniels
“Back To The Sunset”— Dafnis Prieto Big Band
“West Side Story Reimagined”— Bobby Sanabria Multiverse Big Band
“Cinque”— Elio Villafranca
“Yo Soy La Tradición” — Miguel Zenón Featuring Spektral Quartet

And congrats to the writers nominated for their work on liner notes:

    James P. Leary, album notes writer (Various Artists)
    Richard Martin & Ted Olson, album notes writers (Charles A. Asbury)
    Ben Ratliff, album notes writer (Sonny Clark Trio)
    David Gilbert, album notes writer (Various Artists)
    Amanda Petrusich, album notes writer (Bob Dylan)
    David Evans, album notes writer (Various Artists)

Here’s the full list of Grammy nominees. 

The 61st Grammy Awards will be broadcast on Feb. 10.


Best Jazz Discs of 2018

My favorite jazz releases of 2018 (as submitted to JazzTimes mag and elsewhere), listed alphabetically:

Kenny Barron Quintet Concentric Circles (Blue Note)

Eddie Daniels Heart of Brazil: A Tribute to Egberto Gismonti (Resonance)


Larry Goldings/Peter Bernstein/Bill Stewart Toy Tunes (Pirouet)


Chris Lightcap Superette (Royal Potato Family)


Joe Lovano & Dave Douglas/Sound Prints Scandal (Greenleaf)


Nolatet No Revenge Necessary (Royal Potato Family)


Joshua Redman/Ron Miles/Scott Colley/Brian Blade Still Dreaming (Nonesuch)


Bobby Sanabria Multiverse Big Band West Side Story Reimagined (Jazzheads)


Antonio Sanchez (featuring WDR Big Band) Channels of Energy (CamJazz)


Wayne Shorter Emanon (Blue Note)

Gasparilla Music Festival 2019: Gary Clark Jr., Infamous Stringdusters, Avett Brothers, Tribal Gold, the Pharcyde, Tank and the Bangas, more.

gasparilla 2019

Several impressive picks just announced for the eighth annual Gasparilla Music Festival in Tampa, including rising-star Austin blues man Gary Clark Jr., Americana exponents The Infamous Stringdusters and the Avett Brothers (love ’em but they seem to play our market every six months), country-rock act Lukas Nelson & Promise of the Real, New Orleans Suspects spinoff band Tribal Gold (the Suspects with Big Chief Juan Pardo & The Golden Comanches), the Pharcyde, and Tank and the Bangas.

Tampa’s long-running Grateful Dead tribute group Uncle John’s Band “will perform the Grateful Dead’s Dick’s Picks Vol. 1 live album, which was actually recorded at the since-demolished Curtis Hixon Hall way back in 1973,” Ray Roa writes in Creative Loafing/Tampa.

Also on the bill: Laurie Berkner, Jared & the Mill, Parrotfish, Sugar Rush, Mr. Tommy, and The Florida Gospel Music & Arts Fellowship Choir with Dr Kevin B. Parrott.

I’d love to see more jazz, blues, and jazz-funk artists — national and local — on the bill. Maybe those types of acts will be added later.

How about some of the following, all of whom know how to connect with younger audiences? Snarky Puppy, Vulfpeck, MMW, John Scofield, Terence Blanchard, Robert Glasper, Dirty Loops, Jacob Collier, Christian Scott, Marquis Hill, Kamasi Washington, Ambrose Akinmusire, Soulive, Dr. Lonnie Smith.

GMF takes place March 9-10 at Curtis Hixon Waterfront Park in downtown Tampa.

The Onliest Monk — Happy 101st!

Here’s a belated birthday toast to Thelonious Monk, who was born Oct. 10, 1917. Monk’s music, in its brilliance, quirkiness, humor and rootsy jazz soulfulness, remains an inspiration.

Hard to believe that it’s been 22 years since I helmed a Monk tribute disc, “Monk in the Sun,” featuring a long list of Tampa Bay area-based artists. I’ll forever be grateful to bass guitar wizard Jeff Berlin, and the late, great Nat Adderley and Kenny Drew, Jr., along with many other terrific but lesser known artists, for participating in the project. And to Tom Morris at the old Morrisound studio for their support.

Monk in the Sun

We received some local airplay, on WUSF, 89.7 FM, and WMNF, 88.5 FM and sold some CDs locally (but not enough to cover what we — me and Ronny Elliott — paid to make the project a reality).

I always wondered what impact it might have had if we had been able to make a larger promotional effort, particularly in terms of seeking national radio airplay. I suppose it could be reissued, at least as a digital download. But dealing with all the permissions, etc, from musicians, and all the copyright issues feels daunting. And it would take $$$$. Would it be worthwhile?


“After Midnight: Thelonious Monk at 100” (Tom Vitale, NPR, 2017)

“At 100, Thelonious Monk Gets a Hero’s Celebration” (Giovanni Russonello, New York Times, 2017)

“Celebrating 100 Years of Thelonious Monk” (Paste magazine, 2017)


Missing Jaco

Jaco Pastorius died 31 years ago today. He and Stanley Clarke were the two bassists who had the greatest influence on how I thought about approaching the bass guitar, particularly during my college years.

Here he is, below, turning in a typically brilliant performance on a 1976 trio date in Berlin with trombonist Albert Mangelsdorff and drummer Alphonse Mouzon (all three have passed away).

I always like to remind folks: Jaco didn’t die because of a fight, or because he was a “tragically doomed artist.” He was murdered by a beefed-up nightclub manager who pounded Jaco’s head on the pavement (as Pat Metheny reminded me once during an interview, and as recounted in Bill Milkowski‘s authoritative bio).

Jaco went into a coma for several days, and then died of a brain hemorrhage. Luc Havan, the man who killed the world’s greatest bass guitarist, was convicted of manslaughter and served only a few months in jail

I well remember when I heard about Jaco’s death — it really shook me up. I was in the newsroom at the Lakeland Ledger, where I worked as an arts/entertainment reporter, and I read it on (I think) the AP wire. I regret that I didn’t attend his funeral.

Sadly, I never got to see Jaco in person. I came close, in the summer of 1985, when I went to a Paul Butterfield show in NYC that was to feature Jaco. He didn’t make it to the concert. I recall that the concert promoter announced that he wouldn’t make it and offered to refund tickets for those who didn’t want to stay for the show (they got a sub, apparently). I was annoyed at Jaco’s no-show so I took the refund and left. I was living in Manhattan at the time, during my one-semester stint in grad school at NYU.

Want to understand more about who Jaco was, and why he mattered? Read the above mentioned bio, and check out “Jaco: The Movie,” the 2014 documentary produced by Metallica bassist Robert Trujillo.

Long live Jaco!