Some folks around the Tampa Bay area are practically swooning in anticipation over several just-announced early 2009 shows by big pop and big hat acts.
- Britney Spears, still cute, still annoying, still irrelevant (3/8, St. Pete Times forum);
- Jessica Simpson, same as Britney (Florida Strawberry Festival);
- Elton John/Billy Joel, once formidable pop/rock artists long off to other interests but back on the cash-grab trail (3/5, SPT Forum);
- Fast-rising teen country star Taylor Swift (also Strawberry Fest).
Yawn. It’s all enough to make me elated that I’m no longer forced to consume standard-issue pop and rock for a living.
It’s a good bet that musical intrigue and non-rote performances will be in much greater supply at three under-publicized shows this month and next.
David Byrne, the former Talking Heads head, brings his “Songs of David Byrne and Brian Eno” tour to Tampa Theatre on Dec. 12. He’s touring in support of Everything That Happens Will Happen Today, his first collaboration in nearly three decades with Brian Eno. Byrne’s work has remained vital and creative over the years, and his shows at Tampa Theatre have been among the area’s best concerts.
Reviews of the tour, which has Byrne and his four-piece band (keys, drums, bass, percussion) joined by three backup singers and three dancers, have been positive.
Jonathan Valaria, writing in the Philadelphia Inquirer, had this to say about a November show:
“David Byrne got his first of countless standing ovations Saturday night just five songs into his set at the Tower Theater, where he closed out the North American run of his ambitious tour in support of Everything That Happens Will Happen Today, his splendid second collaboration with Brian Eno.
Not surprisingly, the ovation was occasioned by the first Talking Heads song of the night – “Houses In Motion” from Remain in Light – but it was more than just a beloved old song that elicited such a response from the crowd, which, much like the 56-year-old Byrne, straddled the fulcrum of middle age.
No doubt drawing on lessons learned from his collaboration with choreographer extraordinaire Twyla Tharp, Byrne created a show that uses bodies in motion to advance the ambiguous narratives of his arty, multicultural rock music.
Byrne – looking fit, trim and sporting a magnificent shock of silver hair – sounded in fine voice and handled all guitar duties with surprising aplomb, expertly replicating the pneumatic wheeze of chords on “Home,” the angular funk-strum of “Crosseyed And Painless” and the molten leads of ‘I Feel My Stuff.’ ”
Also certain to be among the highlights of the winter concert season:
- Derek Trucks and Susan Tedeschi’s Soul Stew Revival (Dec. 29, Tampa Theatre), a bluesy, jammy, funky collaboration between the Allman Brothers’ slide-guitar wizard and his wife, an impressive blues guitarist and singer-songwriter in her own right.
- New Orleans funk/jam stars Galactic, with the Lee Boys (Jan. 2, Jannus Landing). Galactic’s grooves are deep and funky, and they often inject experimental sounds and hip-hop rhythms into the mix. I’ve seen the band upteen times, in the Tampa Bay area and in New Orleans, and I’ve only been disappointed when they’ve let guest rappers or singers hog the show. Not sure yet what’s up for this tour.