“Is this disc’s title an apropos description of the current era, with its semi-permanent malaise, and anger seemingly just below the surface of all public discourse? Maybe,” I wrote, in my review for JazzTimes. “Vincent Herring’s response: Gather like-minded musicians and make a joyful noise with a set of muscular blues-tinted jazz.”
Read the complete review here.
Fun fact: Back in 2000, I played the Nat Adderley memorial concert at Florida Southern College’s Branscomb Auditorium, in Lakeland, my hometown. Nat lived there for many decades after relocating from New Jersey; at FSC, he was artist-in-residence, and, with FSC music prof Larry Burke, he launched the (now-defunct) Child of the Sun Jazz Festival.
How’d I wind up playing that show, alongside former Adderley musical associates and friends, including drummer Jimmy Cobb, pianists Larry Willis and Rob Bargad, saxophonists Vincent Herring and Antonio Hart, and trumpeter Longineau Parsons, among others?
Here’s how it happened: Burke had asked me to lend my upright bass to Walter Booker for the performance, which I was happy to do. I’d previously let another NYC bassist, Santi Debriano, borrow my bass when he played one of the editions of the Child of the Sun fest. About three hours before the show was slated to start, Burke called me, told me that Bookie was ailing (an asthma attack) and unable to play, and asked if I’d fill in.
I couldn’t ever have actually properly filled in for Booker, who died in 2006, but I had a (slightly nervous) blast playing the gig — won’t ever forget that performance.
I’d had a chance to get to know Nat a little bit some years early, when I interviewed him for an extended feature in one of the first issues of Jazziz magazine; I was a part of that mag from the start, beginning with exploratory meetings at the condo of Michael Fagien, who was then a med student (or a resident?) at UF. I recall discussing what the mag should be named — I wasn’t in favor of “Jazziz.” What did I know? 🙂
And that’s … almost the rest of the story 🙂
BTW — had a chance on Saturday to talk with Debriano after one of his sets at Smalls in NYC. He was leading a great quartet with Craig Handy on tenor, Bill O’Connell on piano, and Living Colour drummer Will Calhoun.
Debriano said he hopes to soon record with that group.