Tampa Jazz Calendar — March/April 2015 & Beyond

Jazz, Blues & more—————————————————–

Thursday, March 26 — “Remember the Ladies”: Belinda Womack, Marian Mage, Valerie Gillespie, Patricia Dean, Janna Jones, The Palladium (Side Door), 7:30 p.m.

VALERIE-GILLESPIE_02-copy

Saturday, March 28 — G. Love & Special Sauce/Matt Costa, Jannus Live, St. Petersburg, 8 p.m.

Sunday, March 29 — Larry Garner, Skipper’s Smokehouse, Tampa, 5 p.m.

Tuesday, March 31 — John Ginty Band, Skipper’s Smokehouse, Tampa, 7 p.m.

Friday, April 3 — Selwyn Birchwood Band and Savants of Soul, Skipper’s Smokehouse, Tampa, 8 p.m.

Thursday-Friday, April 9-10 — Diana Krall, Capitol Theatre, Clearwater, 7:30 p.m.

Friday, April 10 — Tower of Power, Rod Piazza, John Nemeth, Denise LaSalle, Brandon Santini, Vinoy Park, St. Petersburg, 12:30 to 10 p.m.

Saturday, April 11 — Tampa Bay Blues Fest: Boz Scaggs, Ronnie Earl, Tab Benoit, Carolyn Wonderland, Bernard Allison, Vinoy Park, St. Petersburg, 12:30 to 10 p.m.

Sunday, April 12 — Tampa Bay Blues Fest: Southern Hospitality, The Lee Boys, Bryan Lee, Albert Castiglia, Betty Fox, Vinoy Park, St. Petersburg, 1 to 10 p.m. 

Wednesday, April 15 — Chris Botti, Capitol Theatre, Clearwater, 7:30 p.m.

Sunday, April 19 — Al Downing TBJA: Fred Johnson & Whitney James with Michael Ross, LaRue Nickelson and John Jenkins, American Stage Theatre/Raymond James Theatre, St. Petersburg, 3 p.m.

Sunday., April 19 — Tampa Jazz Club: James Suggs with Sharon Preston-Folta: Tribute to Louis Armstrong, HCC/Ybor Mainstage Theatre, Tampa, 3 p.m.

Monday, April 20 — Monday Night Jazz: Rufus Reid and Whitney James with the USF Jazz Ensemble, USF Concert Hall, Tampa, 7:30

Thursday, April 23 — Rene Marie, The Palladium (Side Door), St Petersburg, 7:30 p.m.

Tuesday, April 28 — Robert Cray & Shemekia Copeland, Capitol Theatre, Clearwater, 7:30 p.m.

Thursday, May 14 — John Mayall, Capitol Theatre, Clearwater, 7:30 p.m.

Friday, Oct. 30 — Mark Knopfler, Ruth Eckerd Hall, Clearwater, 8 p.m.

VENUES———————————————————————–

Jannus Live, 200 First Avenue N., St. Petersburg; (727) 565-0550

The Palladium, 253 Fifth Avenue N., St. Petersburg; (727) 822-3590

Raymond James Theatre, 163 Third St. N., St. Petersburg; (727) 823-7529

Ruth Eckerd Hall, 1111 McMullen-Booth Road, Clearwater; (727) 791-7400

Skipper’s Smokehouse, 910 Skipper Road, Tampa (813) 971-0666

Suwanee Springfest (concert review)

(originally published at jambands.com)

Suwannee Springfest, Spirit of the Suwannee Music Park, Live Oak, FL- 3/20-23

For its 18th edition, Springfest, the annual cornucopia of Americana, bluegrass and roots music in woodsy, moss-fest

ooned Spirit of the Suwannee Music Park, seemed to attract a larger group of younger listeners than in previous years. At least, that’s what it felt like when festival favorites the Avett Brothers – who impressed Live Oak crowds long before Scott and Seth ascended to arena tours – packed the Amphitheater for two hours’ worth of stomping acoustic-electric music that had fans pushing to the front and singing along with every word of every song.

The North Carolina-born siblings and their four bandmates again demonstrated infectious high-energy joie de vivre, showcasing some material from the last two years’ “Magpie and the Dandelion” and “The Carpenter” releases. They also turned in stirring versions of the title track from “I and Love and You” and that 2009 album’s “Kick Drum Heart” and “Laundry Room,” as well as a moving “Amazing Grace.” There were also rowdy covers of Lefty Frizzell’s “If You’ve Got the Money I’ve Got the Time,” John Denver’s “Thank God I’m a Country Boy” and traditional mountain song “Old Joe Clark” – the last two with a little help from Sam Bush, on fiddle.

The old guard and the younger crowd, though, on stage and off, handily mixed and matched in nearly 70 performances spread across four stages, with some acts playing twice. The Punch Brothers, whose leader, singer and mandolin wizard Chris Thile, has played the fest with Nickel Creek, turned in another of the weekend’s most impressive performances. The quintet excelled with airtight multipart harmonies, imaginative arrangements and locked-in acoustic synchronicity on “This Girl,” “New York City,” Seldom Scene favorite “Through the Bottom of the Glass,” a Debussy piece and, on the encore, a stunning, extended a cappella version of Dominic Behan’s “The Auld Triangle.”

This year’s Springfest was rangier than in the past, with a program encompassing the top-shelf bluegrass of Steep Canyon Rangers; the stomping country rock of Willie Sugarcapps, featuring singers-songwriters-instrumentalists Will Kimbrough and Grayson Capps; the laidback grooves of fest favorites Donna the Buffalo; the jaw-dropping mandolin work of Sam Bush, and his covers of Stevie Wonder, the Rolling Stones, and Little Feat; and the songwriting brilliance and rugged twang-edged roots rock of Jason Isbell. Isbell’s bracing set included “Decoration Day,” “Traveling Alone,” “Stockholm,” and “Cover Me Up,” and shut down with a slamming “Super 8.”

Also making strong impressions were Tallahassee family group The New ‘76ers, featuring the Southern-fried soulful singing of Kelly Goddard; Asheville, N.C. newfangled string band Town Mountain, which dipped into jamgrass; Greensboro, N.C.’s Holy Ghost Tent Revival, its brass-edged rock ‘n’ roll played by young musicians perpetually in motion; prolific singer-songwriter Jim Lauderdale; and Beartoe, with the Central Florida group’s three female backup singers echoing and engaging in call-and-response with front man Beartoe Aguilar on swampy blues and gospel-tinted rave-ups.

My Top 10 Success Tips for Aspiring Bands

My Top 10 Success Tips for Aspiring Bands:

  1. Be young — try not to age past 29, if at all possible
  2. Have the right “look”
  3. Wear hair, preferably your own
  4. Play stuff they know
  5. Aim to sound like other cool or (better yet) popular bands
  6. Hang out at clubs all night, every night to make “contacts”
  7. Spend your days promoting ceaselessly
  8. Be willing to play anywhere, any time
  9. Accept any pay, or even no pay at all if it means “exposure”
  10. Be yourself, unless it conflicts with any of the other rules

Uh-oh.

Eric Lindell, “West County Drifter” (CD review)

(recently reviewed for Relix; direct link)

Eric Lindell, West County Drifter (M.C. Records)

A shaggy, rambling lovability defines Eric Lindell, a California-to-Louisiana singer and guitarist initially promoted as a blues artist. At times, particularly on the first of these two discs (both originally self-released as separate albums)—with regular trio mates Myles Weeks on upright bass and Will McMains on drums—Lindell’s throaty, soulful vocals and laidback acoustic grooves recall the likes of G. Love & Special Sauce and JJ Grey.

The shuffling title track—a road-trip song featuring Nick Ellman’s clarinet—and the horn-packed “Try to Understand”—bolstered by Ivan Neville’s organ—are just two of the many keepers.

Other highlights include the tangy opener “Sentimental Lover,” retro-rootsy “Dog Eat Dog” and covers of Curtis Mayfield’s punchy, piano-spiked “Find Another Girl” and the slow-burning “It’s So Hard to Believe.”

Tampa Bay Area Music Calendar (An Entirely Subjective and Selective Listing)

(Feel free to send concert info, including corrections/updates. This list is not intended to be comprehensive.)

  • Donna the Buffalo, Jan. 7-8, Skipper’s
  • Byron Stripling and the Florida Orchestra: Louis Armstrong tribute, Jan. 7-9 (Straz Center, Mahaffey Theater, Ruth Eckerd Hall, respectively)
  • Michael Ross Quartet, Jan. 9, Palladium Theater
  • Ivan Neville’s Dumpstaphunk, Jan. 13, Crowbar
  • Marcia Ball, Jan. 14, Skipper’s
  • Mofro, Jan. 15 (w/Daryl Hance) and 16 (w/Damon Fowler), Skipper’s
  • Infinite Groove Orchestra (CD release show), Jan. 15, The Local 662,  St. Petersburg
  • Holy Ghost Tent Revival, Jan. 15, New World Brewery
  • Galactic, Jan. 20, Ritz
  • Drive-By Truckers, Jan. 21, Ritz
  • Terrance Simien with the Gumbo Boogie Band, Jan. 21, Skipper’s
  • SPC Jazz Festival: Helios Jazz Orchestra with Denise Moore, Jan. 27, SPC Music Center
  • SPC Jazz Fest: Alex Berti Trio, Jan. 28, SPC Music Center
  • McCormick Marimba Festival, Jan. 28-29, USF Music Recital Hall, Tampa
  • SPC Jazz Fest: Ronnie Burrage Trio, Jan. 29.  SPC Music Center
  • Robin Trower with Sean Chambers Band, Jan. 29, Jannus Live
  • Pinetop Perkins & Willie “Big Eyes” Smith with Liz Pennock & Dr. Blues, Feb. 4, Skipper’s
  • Diana Krall, Feb. 4, Ruth Eckerd Hall
  • Yonder Mountain String Band, Feb. 5, Jannus Live
  • Dark Star Orchestra, Feb. 12, Straz Center
  • Willie Nelson, Feb. 16, Ruth Eckerd Hall
  • Whitney James, Feb. 19, Palladium
  • Arturo Sandoval, Feb. 24, Ritz Ybor
  • Ira Sullivan, Feb. 27, HCC Performing Arts Building, Ybor
  • Old 97’s with Those Darlins, March 2, Skipper’s
  • G. Love and Special Sauce, March 12, Jannus Live
  • The Avett Brothers, March 25, Ruth Eckerd Hall
  • Acoustic Africa, April 10, Straz Center

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VENUES AND PRESENTERS

Al Downing Tampa Bay Jazz Association

Capitol Theatre, 405 Cleveland St., Clearwater

Crowbar, 1812 17th St. N., Ybor City (Tampa); (813) 241-8600

Dali Museum, 1000 Third Street S., St. Petersburg; (727) 823-2767

EMIT series; (727) 341-3463

Enoch Davis Center, 1111 18th Ave. S., St. Petersburg; (727) 893-7134

Hillsborough Community College Performing Arts Theater, Palm Avenue and 14th St., Ybor City

Jannus Live, 1st Avenue N. & 2nd Street N., St. Petersburg; (727) 565-0550

La Grande Hall @ Yamaha Piano, 6710 Ulmerton Road #101, Clearwater

Mahaffey Theater @ Progress Energy Center for the Arts, 400 First Street S., St. Petersburg; (727) 892-5798

Marriott Hotel, 12600 Roosevelt Blvd., St. Petersburg

Museum of Fine Arts, 255 Beach Drive N.E., St. Petersburg; (727) 896-2667

Musicology, 2576 Sunset Point Road, Clearwater; (727) 723-1000

New World Brewery, 1313 E. Eighth Avenue, Ybor City, Tampa; (727) 248-4969

The Palladium Theater at St. Petersburg College, 253 Fifth Avenue. N., St. Petersburg; (727) 822-3590

The Ritz Theatre, 1503 E. Seventh Avenue, Ybor City (Tampa); (813) 247-2555

Royal Theater, 1011 22nd St. Petersburg; (727) 327-6556

Ruth Eckerd Hall, 1111 N. McMullen Booth Road, Clearwater; (727) 791-7400

Sacred Grounds Coffee House, 4819 E. Busch Blvd., Tampa; (813) 983-0837

Skipper’s Smokehouse, 910 Skipper Road, Tampa; (813) 971-0666

The Studio @620, 620 First Ave. S., St. Petersburg; (727) 895-6620

Straz Center, 1010 N. MacInnes Place, Tampa; (813) 229-7827

Tampa Bay Blues Festival, Vinoy Waterfront Park, downtown St. Petersburg; (727) 502-5000

Tampa Jazz Club

USF Monday Night Jazz Series

———-

2010

Vincent Sims and the Sidewinders: A Tribute to Blue Note – Aug. 13, Palladium, 8 p.m.

Sunday Jazz at the Royal Theater: Ron Gregg Trio featuring Billy Pillucere and Richard “Stretch” Bruyn with Jeremy Carter – Aug. 15, Royal Theater, 4 to 8 p.m. (open mic for musicians and vocalists)

Natalie Merchant – August 24, Ruth Eckerd Hall

Tom Petty and the Heartbreakers + Joe Cocker – Sept. 16, St. Pete Times Forum

Hammond B3 Summer Spectacular: Joe Crown Trio with Walter Wolfman Washington and Russell Batiste + John Gros + Dave McCracken: – Aug. 21, Palladium, 8 p.m.

Kings of Leon + The Black Keys + The Whigs – Sept. 18, USF Sun Dome

Rush – Oct. 1, Ford Amphitheatre

Clearwater Jazz Holiday (lineup TBA) – October 14-17, Coachman Park

Ybor Jazz Fest – Nov. 3-7, HCC, Ybor City

Roger Waters: The Wall – Nov. 16, St. Pete Times Forum

 

Sco Goes NOLA

Musicians wanting to dig into a certain type of groove — funky, earthy, rooted to a jazz vibe that goes all the way back to the African percussionists of Congo Square — go to New Orleans to find it.

Last year, the Blind Boys of Alabama headed to the Crescent City for Down in New Orleans, on which they hooked up with the trio of pianist David Torkanowsky (ex-Astral Project), bassist Roland Guerin, and drummer Shannon Powell (Harry Connick, Jr.). Guests included Allen Toussaint, the Hot 8 Brass Band and the Preservation Hall Jazz Band.

John Scofield, a fiercely talented guitarist rooted in jazz but also drawing from rock, blues, and fusion, worked with pianist-singer Jon Cleary and Meters bassist George Porter, Jr. (both based in New Orleans) and drummer Ricky Fataar — for the just-released Piety Street (Emarcy). The album of refried gospel tunes was recorded in the Crescent City.

Sco is taking the band, or a variation thereof, on the road. The tour touches down May 1 at Jazz Fest in New Orleans (is Porter REALLY not playing the Jazz Fest date, as indicated on Sco’s site?) and heads to Europe at the end of June. His show Sunday in New York generated a glowing review from New York Times critic Nate Chinen.

“…it’s Mr. Scofield’s old-time gospel album, recorded in New Orleans with a band drawn mainly from that city’s robust R&B scene. It’s a basic concept, and it makes all kinds of sense. (Scofield achieved) the proper blend of grace and grit. He didn’t sound like a visitor in the realm. He sounded at home and happy to be there.”

Click here to read the rest.

(I’ve yet to hear this disc – but it’s on my list …)

Note to Sco: Please bring the Piety Street band to Florida!

Derek Trucks Band: Already Free (CD review)

Derek Trucks possesses one of the most expressive, intriguing and pliable instrumental voices of any genre.

He’s a young but already deeply accomplished musician with great, reliable instincts, and an impressive ability to adapt to nearly any musical context – blues, rock, R&B, jazz, gospel, funk, Middle Eastern forms.

Expectations are that his just-released Already Free will connect, in a major way, with old fans as well as those who have become acquainted with the former child prodigy through his recent playing with the likes of Eric Clapton, Santana, and McCoy Tyner.

derek-trucks-already-free3

Here’s my review, as published in Las Vegas City Life.

Below is the full text:

Derek Trucks Band

Already Free (Sony Legacy)

Derek Trucks’ playing on bottleneck-slide guitar is a thing of beauty — sometimes, sweet, sometimes salty, an instrumental voice that’s remarkably expressive. That sound, a welcome guest on recent tours and recordings by everyone from Eric Clapton to jazz pianist McCoy Tyner, is front and center on Already Free.

Allman Brothers guitarist Trucks, nephew of Allmans drummer Butch Trucks, grew up on that band’s brand of hard-grooving Southern rock ‘n’ soul, and for his most accomplished studio recording yet, he successfully carries on the tradition. The sound is decidedly retro and warmly familiar, although Indian instruments spice the textures on the acoustic “Back Where I Started,” with Trucks’ wife Susan Tedeschi singing, and Big Maybelle’s “I Know.”

Doyle Bramhall II guests on the Southern-fried R&B of “Maybe This Time.” Raspy voiced singer DTB Mike Mattison effectively leads the attack on most other tunes, including a version of Bob Dylan’s “Down in the Flood” that’s all slow-simmering dirty boogie. “These Days is Almost Gone,” with Kofi Burbridge’s churchy organ underscoring soulful backing vocals and rising horns, sounds like a Saturday night in the Southland bumping into Sunday morning. Feels just right.