Sonny Rollins’ latest CD, Road Shows, Vol. 1, has gained loads of critical acclaim and landed on more than a jazz critics’ year-end lists.
And for good reason: The disc captures the great saxophonist in full flight, playing at the peak of his considerable powers.
Click here to read my review, published in Las Vegas City Life.
Or read the text, below:
Road Shows, Vol. 1
It’s not overstating the case to call Sonny Rollins one of the last living jazz giants. Even on the down slide to 80, the tenor saxophonist continues to roam the earth, playing every solo as if it were his last, threatening to turn every show into an event, the kind where listeners are likely to learn something new about the art of jazz, and discover something unexpected about the playing of a monster improviser who has been thrilling audiences since making his breakthrough in the early ’50s with the likes of Miles and Monk.
That said, too many of Rollins’ studio recordings have been subpar – failed attempts to recreate the live vibe. Not so with Road Shows, Vol. 1, culled in part from concert recordings made by Rollins devotee Carl Smith. Here, in live performances caught between 1980 and 2007, Rollins absolutely romps. His brawny horn digs deep during a long, unaccompanied section in “Easy Living” and turns alternately tender and questioning for a bracing version of “Some Enchanted Evening,” with bassist Christian McBride and drummer Roy Haynes, performed last year at Carnegie Hall.
He stretches to the breaking point on his signature blues tune, “Tenor Madness,” rocks a calypso groove on his “Nice Lady,” and opens up the ballad “More Than You Know,” even slipping in a snippet of a Christmas melody. Undeniably brilliant.