Has there EVER been a television drama that has given as much respect to musicians as HBO’s “Treme,” in terms of screen time, playing time, and genuine appreciation for musical art, not to mention insights into the day-to-day reality of working musicians?
I think not.
Sunday’s third-season finale, a prelude to the truncated Season “3.5,” wrapped up — or pointed in the direction of wrapping up — a ton of story strands.
In one, fiddle player and singer Annie (Lucia Micareli) sees her band’s debut CD released and enjoys a rather too speedy rocket ride to a national stage, with her manager planning a launch party in New York City. The script even works in a reference to New Orleans’ long-running music monthly: “This ain’t about Offbeat, darling,” he says. “It’s about Rolling Stone and the New York Times.”
At the Blue Nile on Frenchmen Street, site of a benefit concert, and elsewhere, Tons of great NOLA players play and/or get speaking lines, including trumpeters Kermit Ruffins, Irvin Mayfield, and Shamarr Allen; funk/R&B bass master George Porter Jr. (the Meters), keyboardist Ivan Neville, drummer Johnny Vidacovich, guitarist Little Freddie King and, in an intimate duo, singer John Boutte and pianist Tom McDermott.
At one point. four-trombone band Bonerama and series mainstay Antoine Batiste (Wendell Pierce), a trombonist, are joined by Troy “Trombone Shorty” Andrews and Big Sam. “Trombones rule the world,” Antoine says. Indeed. For extra measure, singer-songwriter Jill Sobule (Not from NOLA) joins the low-brass confab for “When My Ship Comes In.”
For fans of New Orleans music & culture “Treme,” while imperfect, is the ship that finally came in, an antidote to other TV series set in the Crescent City. I’ll be sad to see its voyage come to an end.