Planet Jazz: Notes From All Over
Nice seeing New Orleans trumpeter Irvin Mayfield get some speaking lines on last night’s “Treme.” Great, too, seeing some Mayfield performance footage shot at his Jazz Playhouse club inside the Royal Sonesta Hotel on Bourbon Street.
Lionel Ferbos, the century-old trad jazz trumpeter, was also seen and heard playing and talking, at the long-running Palm Court Jazz Cafe, in the episode. Ferbos, one of the oldest living links to early jazz, started playing at age 15, in 1926.
“Lionel Ferbos is 101 and he’s playing gigs. He’s walking up on stage, getting his trumpet out and playing,” Mayfield told the Times-Picayune. “He comes out of the water of Jelly Roll Morton, who he heard himself, Louis Armstrong, who he heard himself, Freddie Keppard, who he heard himself. Paul Barbarin, Danny Barker – these are people he heard. In his trumpet sound, you hear all that.”
The episode touches on the much-publicized drive to create a National Jazz Center in New Orleans. The developers of the $716 million project, announced in May 2006, enlisted Mayfield’s support. The project subsequently collapsed.
“Though the National Jazz Center and other subsequent efforts to establish some kind of civic institution to recognize New Orleans’ greatest export have fallen short, Mayfield is confident that such a project will some day get done,” Dave Walker wrote in the Times-Picayune.
” ‘It is just crazy that we have so much history but we don’t have symbols recognizing all that creative achievement,’ he said. ‘We’ve created this music that everybody else around the world is in awe of.’
Remember “Ten Jazz Albums to Hear Before You Die,” a feature (initially published sans byline) published last week in the Village Voice?
Several jazz writers justifiably complained about the piece’s incompleteness, as it covered just 17 years of jazz history (1956-73) and its, uh, obviousness; we really needed another litany of the jazz canon? It didn’t seem to meet the usual, or, at least, former, high standards for a publication that once set a high standard for jazz coverage.
As a sort of (unstated) concession to the criticism, the next day the Voice published another piece, “Ten (More) Jazz Albums to Hear Before You Die,” by Matthew Kassel and Alex W. Rodriguez. This time, the (different) writers offered recommendations culled from about a century of jazz history.
Writing for NPR’s “A Jazz Supreme” blog, Patrick Jarenwattanon filled in some background on how the original ill–fated story came to be:
“The piece itself was simply repurposed from another publication owned by the same media company, and its author wasn’t even credited (it’s a fellow named Joseph Lapin, by the way). It was published by a media entity that used to run Gary Giddins’ column, and Francis Davis essays, and the Jazz Consumers Guide, and the year-end critics poll, and much other current jazz coverage. Underlying all this is the fact that two well-respected music editors, Rob Harvilla and Maura Johnston, have left the Voice in recent years.”
For those outside the jazzosphere, maybe this is all too meta?
JJA members soon will unveil their Top 10 picks for 2012, surveying the year’s best jazz — look for the lists at the organization’s site.